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This
engraving of Edgar Allan
Poe, by Robert Anderson, was used as the frontispiece of John
H. Ingram's edition of The Works of Edgar Allan Poe, Edinburgh,
1874-1875. It is based on the daguerreotype that belonged to Poe's
one-time
fiancee and long-time supporter, Sarah Helen Whitman. The original
daguerreotype,
presumed to be taken in 1848, is currently in the collection of the
Brown
University Library.
Writing to J. H. Ingram on March 16, 1874, Mrs. Whitman explained,
"This
picture of mine has been hidden away all these years because I thought
it did not represent him truly, but many persons who have seen it
lately
think it has the best expression of any picture yet taken of him"
(reprinted
in Miller, Poe's Helen Remembers, p. 79).
Poe wears here the same greatcoat as in the McKee daguerreotype of
about
1843. Describing Virginia Poe in the final days of her illness in 1847,
Mary Gove Nichols wrote, "She lay on the straw bed, wrapped in her
husband's
great-coat . . ." ("Reminiscences of Edgar Allan Poe," 1863, reprinted
by T. O. Mabbott, 1931, p. 12). |
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