Edgar Allan Poe — “The Spectacles”

Reading copy:

• “The Spectacles” — reading copy

Manuscripts and Authorized Printings:

• Text-01 — “The Spectacles” — early 1844, no original manuscript or fragments are known to exist (but this version is presumably recorded in Text-02) (see also the surviving manuscript of the revised form, as Text-03)
• Text-02 — “The Spectacles” — March 27, 1844 — Dollar Newspaper — (Mabbott text A)
• Text-03 — “The Spectacles” — March or April 1844 — “Horne” manuscript — (Mabbott text B) (This manuscript was formerly in the collection of William Koester, and is curently in the Harry Ransom Center, University of Texas at Austin.)  (Poe may have written out a full new manuscript for two reasons. He might have done so because he wished to make so many small changes throughout the text, and marking the printed text would be confusing. Alternatively, he might have preferred not to draw attention to the fact that it was just recently printed in the Dollar Newspaper, because he was asking Horne to seek out an English publisher. Many of these changes were not reflected in subsequent printings.)
• Text-04 — “The Spectacles” — November 22, 1845 — Broadway Journal — (Mabbott text C)

Reprints:

• “The Spectacles” — May 3, 1845 — British reprint in Lloyd’s Entertaining Journal
• “The Spectacles” — 1850 — WORKS — Griswold reprints Text-04 (Mabbott text D)  (This is Mabbott’s copy-text)  (The differences are mostly in matters of italics and accents, which are probably more editorial than authorial.)
• “The Spectacles” — August 27, 1850 — Examiner (Richmond)
• “The Spectacles; or, Love at First Sight” — 1852 — Tales of Mystery and Imagination and Humour; and Poems, London: Henry Vizetelly; an undated edition appears about the same time, published by Charles H. Clark, pp. 66-93  (Apparently, some British editor thought that the tale benefitted from the addition of a subtitle, although it appears only in the running page headers.)
• “The Spectacles” — 1855 — Tales of Mystery and Imagination, Halifax: Milner and Sowerby, pp. 284-312

Scholarly and Noteworthy Reprints:

• “The Spectacles” — 1894-1895 — The Works of Edgar Allan Poe, vol. 3: Tales, ed. G. E. Woodberry and E. C. Stedman, Chicago: Stone and Kimball (3:256-288)
• “The Spectacles” — 1902 — The Complete Works of Edgar Allan Poe, vol. 5: Tales IV, ed. J. A. Harrison, New York: T. Y. Crowell (5:177-209, and 5:324-325)
• “The Spectacles” — 1978 — The Collected Works of Edgar Allan Poe, vol. 3: Tales & Sketches II, ed. T. O. Mabbott, Cambridge: Belknap Press of Harvard University Press (3:883-919)

Instream Comparative Texts:

• None.

Plain Text Files for Juxta:

• None.

Miscellaneous Texts and Related Items:

• “Les lunettes” — 1862 — Contes inedts d‘Edgar Poe, Paris: J. Hetzel  (French translation by William L. Hughes)
• “[The Spectacles]” — 1881 — Underliga historier (Stockholm)  (Swedish translation, noted by Anderson, p. 54)
• “Les lunettes” — 1934 — Les Sphinx et autres contes bizarres par Edgar Poë, Paris: Galliard (French translation by Maurice Sachs)
• “Les lunettes” — 1950 — Histories grotesques et sérieuse par Edgar Poe, Paris: Classiques Garnier  (French translation by Léon Lemonnier)

Forgeries:

• “The Spectacles” — supposedly 1830 — source uncertain, claiming to have been published by Carey & Lea in Philadelphia. (This text was printed in Liberty magazine for September 24, 1938 and was reprinted as a pamphlet by Richard Gimbel in 1938. It is almost certainly a modern fake.)
• “The Spectacles” — supposedly 1842 — source uncertain, claiming to have been published by Carey & Lea in Philadelphia. (This item is currently in the Harry Ransom Center, University of Texas at Austin, which acknowledges it as almost certainly a modern fake.)

• Anderson, Carl L., Poe in Northlight: The Scandanavian Response to His Life and Work, Durham, NC: Duke University Press, 1973.
• Hayes, Kevin, Poe’s ’spectacles’ and the Camera Lens, Baltimore: Edgar Allan Poe Society, 2007
• Heartman, Charles F. and James R. Canny, A Bibliography of First Printings of the Writings of Edgar Allan Poe, Hattiesburg, MS: The Book Farm, 1943.
• Mabbott, Thomas Ollive, ed., The Collected Works of Edgar Allan Poe (Vols 2-3 Tales and Sketches), Cambridge, Mass.: The Belknap Press of Harvard University Press, 1978.
• Moldenhauer, Joseph, “Poe’s ‘The Spectacles’: A New Text from Manuscript Edited, with Textual Commentary and Notes,” Studies in the American Renaissance, 1977, ed. Joel Myerson, Boston: Twayne, 1978, pp. 179-234.
• Mooney, Stephen L., “The Comic in Poe’s Fiction,” American Literature, January 1962, 33:433-441.
• Pollin, Burton R., “ ‘The Spectacles’ of Poe — Sources and Significance,” American Literature, 1965, 37:187-190
• Salzberg, Joel, “Preposition and Peaming in Poe’s ‘The Specatcles’,” Poe Newsletter, June 1970, 3:21
• Varner, Cornelia, “Notes on Poe’s Use of Contemporary Materials in Certain of his Stories,” Journal of English and Germanic Philology, January 1933, 32:77-80.
• Wyllie, John Cooke, “A List of the Texts of Poe’s Tales,” Humanistic Studies in Honor of John Calvin Metcalf, Charlottesville: University of Virginia, 1941, pp. 322-338.