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(Under Construction)
Rescuing Poe's reputation, both personal and literary, from the clutches of Griswold became the self-imposed mission of a single-minded Englishman named John Henry Ingram (1842-1916). The Works of the Edgar Allan Poe (The Ingram Edition) (1874-1875)
On the copyright page of an edition of this
set printed in 1900 appears the following note: "Published in Monthly
Volumes 1874-75 and reissued in 1880 [.] Reprinted for Standard Edition
1890 and again 1900."
Ingram replaced the Sartain portrait of Poe with a new engraving of a daguerreotype owned by Sarah Helen Whitman. Poe is shown with a mustache, and wearing a white shirt, a dark cravat wrapped around his collar and tied at his throat, a black suit coat, and a "greatcoat" with wide lapels. (The very fine engraving was made by Robert Anderson, of the Royal Scottish Academy, see Deas, pp. 42-46). Below the portrait was reproduced Poe's signature, from a letter ?????? Ingram to Mrs. Whitman, March 19, 1874: "I am now negotiating with one of our very first publishing firms for a complete edition of the entire works of Edgar Poe in about 6 library volumes, with 'Memoir' by self. This, mind is strictly entre nous. There is little doubt that if this edition be brough out, & I foresee no impediment, it will become the standard edition & its life, the standard biography of Poe" (Miller, Poe's Helen, p. 85). Ingram wrote to Mrs. Whitman, July 15, 1874: "Poe's Works progress rapidly. --- Vol. 1 is in print all but 'Memoir' & the first proof of that came yesterday. . . . Vol. 1 is to appear on 1st Oct." (see Miller, Poe's Helen, pp. 188-189). Ingram wrote to Mrs. Whitman on Oct. 7, 1874, including the note: "Vol. 1 of Poe's works is not out yet" (see Miller, Poe's Helen, p. 216). On Nov. 10, 1874, Ingram wrote Mrs. Whitman again, asking "Have you received either, or both, of the copies I sent you of Vol. 1 of Poe's Works?" (see Miller, Poe's Helen, p. 223). Mrs. Whitman replied on Nov. 13, 1874: "I have just recieved The Book, and though I have in consequence of many interruptions only had time to give a hurried reading to the 'Memoir,' I must write you a word of heartfelt congratulations" and commenting that "The portrait is much more like E.A.P. than the photograph from which it was taken. How could that happen?" (see Miller, Poe's Helen, pp. 225 and 226). As the basis for his texts, Ingram started with a copy of the 1864 or 1863 edition of Griswold's 4 volume set. (See Ingram to G. W. Eveleth, March 10, 1874, where Ingram comments "I shall be glad to purchase any paper or publication containing anything not included in the 4 vol. collection of his works (New York, Widdleton, 1864)." Quoted by Miller, Building Poe Biography, p. 3. See also Ingram's letter to Mrs. S. H. Whitman: "By the way, my collection, in 4 vols., was published in 1863 by Widdleton, New York, and now I see in Allibone, that later editions have some 200 or 300 more pages. What date is yours? If the more recent ones contain more matter, I must get them." Quoted by Miller, Poe's Helen, p. 44. Ingram's concern was unfounded; later editions did not contain more pages.) From James Wood Davidson he obtained original issues of Graham's: "Mr. Davidson has been very kind --- sent 2 vols. of Graham's --- 1841 --- 2 (2nd & 3rd of Poe's editorship). Am still minus Vol. 1 (that is Vol. 18). Mr. D. also sent the number with Graham's letter . . ." (Miller, Poe's Helen, p. 165). Most importanly, from Mrs. Whitman he obtained the 2 volumes of the Broadway Journal which Poe himself had given to her. |
| Bibliographic data: 12mo (7 1/2 in x 4 5/8 in also 7 3/8 in x 4 9/16 in). xxxx |
A Chronology of Printings and
Reprintings:
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Census of Copies:There are so many surviving copies of these
volumes that a
listing
is impractical and unnecessary.
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Bibliography: |
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