The State of Poe Bibliography
G. Thomas Tanselle
It has become a commonplace, when Poe studies are surveyed, to lament the small amount of useful bibliographical work which has been devoted to Poe. In this respect Poe is hardly different from the other major nineteenth-century American writers, few of whom have been provided with anything approaching satisfactory full-scale bibliographies. What does distinguish Poe bibliography is the fact that two elaborate attempts have been made to produce detailed primary bibliographies — and both of them are failures. The scarcity of the early printings of Poe's work has caused dealers and collectors over the years to give considerable attention to the complicated problems of Poe bibliography; but it is unfortunate that so much interest has resulted in so little solid accomplishment. To J. Albert Robbins' description of Poe, in the first number of this journal, as a "scholarly and critical orphan," one may add that he is also a "bibliographical orphan."
At present, the state of the secondary bibliography
of Poe is more encouraging than that of the primary. Until quite recently,
however, Poe scholars had few specialized lists of secondary material to
turn to and had to rely on the PMLA, MHRA, and AL bibliographies,
on Leary and Woodress, on CHAL and LHUS. Jay B. Hubbell's
brief section on bibliography in his essay on Poe for Eight American
Authors (1956) revealed the paucity of work in this area. Since that
time, several important advances have been made. For current items, Robbins'
annual essay on nineteenth-century poetry in American Literary Scholarship
has furnished a critical evaluation of Poe scholarship since 1963,
and Richard P. Benton's checklists have provided comprehensive coverage
since 1962 (in the Emerson Society Quarterly in 1965 and 1967, and
now in the Poe Newsletter, beginning with the current number). For
earlier material, John Carl Miller's John Henry Ingram's Poe Collection
at the University of Virginia (1960) includes the first extensive published
listing of nineteenth-century criticism since Killis Campbell's CHAL
bibliography (1918). A more comprehensive — but unpublished — list,
including the nineteenth-century items and bringing the coverage through
1941, is I. B. Cauthen's 1942 Master's thesis at the University of Virginia.
Twenty years later J. Lasley Dameron, for his doctoral dissertation at
the University of Tennessee, extended Cauthen's record through
If there is good reason to be optimistic about the
immediate future of Poe secondary bibliography, there is no corresponding
evidence that the problems of the primary bibliography are going to be
solved soon. It is true that much research has been directed toward matters
of the Poe canon, and articles continually appear announcing new facts
about Poe's appearances in periodicals, gift-books, and anthologies; but
no bibliography exists which brings all this information together, along
with physical descriptions — based on detailed bibliographical analysis
— of Poe's publications in book form. A number of useful contributions
to Poe bibliography have been issued in connection with editions or with
exhibitions and catalogues of individual collections. Thus such editions
as James A. Harrison's (Virginia Edition, 1902), Killis Campbell's (poems,
1917; tales, 1927), Edward H. O'Neill's (Borzoi Edition, 1946), and Floyd
Stovall's (poems, 1965) are important achievements in their synthesis of
bibliographical data, but they are not intended to be full-dress bibliographies.
Similarly, such catalogues as the Stephen H. Wakeman sale catalogue (1924),
John D. Gordan's characteristically annotated Berg exhibition catalogue
(1949), Carroll A. Wilson's Thirteen Author Collections of the
Meanwhile, we are left with the two bibliographies
currently available, both of them products of a flurry of bibliographical
activity on Poe in the 1930's. In 1932 Kenneth Rede and Charles F. Heartman
put together a "Census of First Editions and Source Materials by Edgar
Allan Poe in American Collections," published serially in Heartman's American
Book Collector (I, 45-49, 80-84, 143-147, 207-211, 339-343; II, 28-36,
141-153, 232-234, 338-342) and then separately in two volumes. Two years
later John W. Robertson published his Bibliography of the Writings of
Edgar A. Poe, beautifully printed by the Grabhorn Press, with a second
volume of "Commentary" on the bibliography in the first. In 1940 the Heartman-Rede
census was extensively revised by Heartman and James R. Canny, and the
resulting Bibliography of First Printings of the Writings of Edgar Allan
Poe was issued as No. 53 of Heartman's Historical Series (a revised
edition of which appeared in 1943). These two bibliographies — the Robertson
and the Heartman in its last version — are obviously the products of great
industry and enthusiasm, but they are also undependable and poorly conceived.
David A. Randall reviewed each of them in Publishers' Weekly at
the time of their publication; the Robertson bibliography he found "practically
useless" (CXXV [21 April 1934], 1540-43), and the Heartman-Canny he described
as "amateurish, inaccurate and speculative" (CXXXVIII [30 Nov. 1940], 2033-38).
In each case Randall went on to support these judgments with detailed discussion
of specific weaknesses and errors, ranging
In general terms, one may point out four ways in which the bibliographies are deficient. First is the underlying conception of the function of a bibliography, as reflected in the record of copies examined. The Robertson bibliography is essentially based on the Robertson collection, and, while a catalogue of an important collection has its uses, it must not be confused with a bibliography — for a bibliography is a documented history of the forms in which an author's works have appeared, and such a history cannot be limited to the particular copies in one collection any more than other kinds of history can be limited to the materials available in one library. The Heartman-Canny bibliography, having grown out of the Heartman-Rede census, does give a partial list of the locations of copies, but it proceeds gratuitously to point out, "It is really not within the scope of a bibliography to give a census of existing copies" (p. 16). One can agree that a bibliography need not provide a census merely for the sake of the census, but it is absolutely essential that a bibliographer document his findings by reporting the locations of the particular copies he has examined. The Heartman-Canny bibliography gives no indication of which of the listed copies formed the basis for the descriptions; in some cases no locations at all are recorded, and one finds instead the useless statement, "Copies are owned by many institutions and collectors" (e.g., p. 129). If a bibliography is to fulfill its function as a history of the physical forms of an author's work, it must represent a thorough examination of as many as possible of the surviving copies; one can never know what variants may be lurking in the next unexamined copy. Any successful piece of research must be based on a comprehensive knowledge of the material; since the bibliographer is dealing with physical forms, the body of material relevant to his purposes includes every surviving copy of the books with which he is concerned. In practice, of course, it is not always feasible to examine every copy, as in the case of modern books that exist in numerous copies; but several copies should be examined in every instance, and, for scarce books, it can be said that the nearer a bibliographer's list of examined copies approaches a census of surviving copies, the closer he has come to fulfilling his responsibility. If there had been more articles like William B. Todd's analysis (in the Fall 1961 number of Library Chronicle of the University of Texas [VII, i, 13-17]) of "The Early Issues of Poe's Tales (1845)" — in which eighteen copies are examined — the state of Poe bibliography would be much beyond where it now stands.
A second area of difficulty is the content of the
descriptions themselves. Quasi-facsimile transcriptions of title pages
are indispensable, and photographic reproductions do not eliminate the
necessity for them. Neither bibliography presents title-page transcriptions
that conform to current standards, and Robertson makes a futile attempt
A third kind of limitation is that both books are
concerned primarily with first printings of Poe's works (as the Heartman-Canny
makes clear in its title). Later printings, however, may contain important
textual variants, and any edition or impression published during an author's
lifetime is of potential textual significance. Such editions and impressions
(English as well as American) therefore deserve detailed examination also;
still later editions and impressions (both English and American) need not
be described as fully but should nevertheless be recorded, since they form
part of the history of the publication of the texts involved and furnish
essential data for a study of the author's reputation. In 1953 Francis
B. Dedmond compiled "A Check-List of Edgar Allan Poe's Works in Book Form
Published in the British Isles" (BB, XXI, 16-20), but this sort
of information needs to be incorporated in a full-scale bibliography, arranged
(with expanded descriptions) so that the history of various sets of plates,
as they passed from one publisher to another, becomes clear. For a writer
like Poe, the publication history of his works in their original language
is complicated enough that it is probably wiser to leave the translations
for a separate volume; but a complete bibliography of the translations
is a desideratum and, in the case of Poe, is a particularly fascinating
project. Some attention has been given in the past to the translations
of Poe — John E. Englekirk's 1937 list of Mexican translations (PMLA,
LII, 524-525) is an example — but a single comprehensive bibliography
needs to be provided.
Finally, the two bibliographies are deficient in
their treatment of textual matters. Heartman-Canny scarcely touches the
subject, though some variant readings are mentioned within chatty notes;
Robertson, on the other hand, includes long extracts from Poe's reviews
and, in his volume of "Commentary," prints different versions of many poems
in parallel columns. The one gives too little attention to the text; the
other is on the verge of becoming an edition. Just how detailed a record
of textual variants is necessary or appropriate in a descriptive bibliography
has always been a difficult problem. A descriptive bibliography is not
expected to establish a critical text; at the same time, a descriptive
bibliographer must investigate textual variants if he is adequately to
distinguish the impressions, issues, or states of a given edition. The
research for a critical edition and the research for a descriptive bibliography
are interdependent, a fact currently recognized
These two bibliographies stem from the old tradition which conceived of author-bibliography as a record of "first editions" for the use of collectors. Fortunately collectors and scholars are increasingly recognizing the fact that their interests and needs, far from being divergent, actually coincide: scholars are beginning to understand the importance of bibliographical analysis in the establishment of texts, and collectors are beginning to recognize the significance of printings later than the first. Whether modern textual research on Poe will stimulate the production of a descriptive bibliography remains to be seen. At the moment, one can only repeat David Randall's comment of thirty-five years ago: "There is a very pressing need for a definitive bibliography of Poe." If the state of Poe secondary bibliography is hopeful indeed, the prospect for the primary bibliography is not entirely bleak — the BAL is in progress, and both the current interest in Poe (manifested in this Newsletter) and the growing understanding of the relationship between editing and descriptive bibliography are encouraging signs.
[S:1 - PSDR, 1969]