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Text: Edgar Allan Poe, "The Duc de L'Omelette"  (comparative text), Phantasy Pieces, 1842, 1:105-110









Texts Compared:
  • 1840-01 - Tales of the Grotesque and Arabesque (1840)
  • 1842-02 - Phantasy Pieces (1842)












[page 105:]



THE DUC DE L'OMELETTE.

And stepped at once into a cooler clime.     
COWPER.
   
KEATS fell by a criticism. Who was it died of The Andromache?* Ignoble souls! — De L'Omelette perished of an ortolan. L'histoire en est brève — assist me Spirit of Apicius!

A golden cage bore the little winged wanderer, enamored, melting, indolent, to the Chaussée D'Antin, from its home in far Peru. From its queenly possessor La Bellissima, to the Duc De L'Omelette, six peers of the empire conveyed the happy bird. It was "All for Love."

That night the Duc was to sup alone. In the privacy of his bureau he reclined languidly on that ottoman for which he sacrificed his loyalty in outbidding his king — the notorious ottoman of Cadêt. 

He buries his face in the pillow {{1840-01: — the // 1842-02: . The }} clock strikes! Unable to restrain his feelings, his Grace swallows an olive. At this moment the door gently [page 106:] opens to the sound of soft music, and lo! the most delicate of birds is before the most enamored of men! But what inexpressible dismay now overshadows the countenance of the Duc? — "Horreur! — chien! — Baptiste! — l'oiseau! ah, bon Dieu! cet oiseau modeste que tu as deshabillé de ses plumes, et que tu as servi sans papier!" It is superfluous to say more — the Duc expired in a paroxysm of disgust.

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"Ha! ha! ha!" {{1840-01:// 1842-02: , }} said his Grace on the third day after his decease.

"He! he! he!" {{1840-01:// 1842-02: , }} replied the Devil faintly, drawing himself up with an air of hauteur.

"Why, surely you are not serious" {{1840-01:// 1842-02: , }} retorted De L'Omelette. "I have sinned — c'est vrai — but, my good sir, consider! — you have no actual intention of putting such — such — barbarous threats into execution."

"No what?" {{1840-01:// 1842-02: , }} said his Majesty — "come, sir, strip!"

"Strip, indeed! — very pretty i' faith! — no, sir, I shall not strip. Who are you, pray, that I, Duc De L'Omelette, Prince de Foie-Gras, just come of age, author of the 'Mazurkiad,' and Member of the Academy, should divest myself at your bidding of the sweetest pantaloons ever made by Bourdon, the daintiest robe-de-chambre ever put together by Rombêrt — to say nothing of the taking my hair out of paper — not to mention the trouble I should have in drawing off my gloves?"

"Who am I? — ah, true! I am Baal-Zebub, Prince of the Fly. I took thee just now from a rose-wood [page 107:] coffin inlaid with ivory. Thou wast curiously scented, and labelled as per invoice. Belial sent thee — my Inspector of Cemeteries. The pantaloons, which thou sayest were made by Bourdon, are an excellent pair of linen drawers, and thy robe-de-chambre is a shroud of no scanty dimensions."

"Sir!" replied the Duc, "I am not to be insulted with impunity! — Sir! I shall take the earliest opportunity of avenging this insult! — Sir! you shall hear from me! In the meantime au revoir!" — and the Duc was bowing himself out of the Satanic presence, when he was interrupted and brought back by a gentleman in waiting. Hereupon his Grace rubbed his eyes, yawned, shrugged his shoulders, reflected. Having become satisfied of his identity, he took a bird's eye view of his whereabouts.

The apartment was superb. Even De L'Omelette pronounced it bien comme il faut. It was not very long, nor very broad, — but its height — ah, that was appalling! There was no ceiling — certainly none — but a dense whirling mass of fiery-colored clouds. His Grace's brain reeled as he glanced upwards. From above, hung a chain of an unknown blood-red metal — its upper end lost, like {{1840-01: C—— // 1842-02: Carlyle }} , parmi les nues. From its nether extremity hung a large cresset. The Duc knew it to be a ruby — but from it there poured a light so intense, so still, so terrible, Persia never worshipped such — Gheber never imagined such — Mussulman never dreamed of such when, drugged with opium, he has tottered to a bed of poppies, his back to the flowers, [page 108:] and his face to the god Apollo! The Duc muttered a slight oath, decidedly approbatory.

The corners of the room were rounded into niches. Three of these were filled with statues of gigantic proportions. Their beauty was Grecian, their deformity Egyptian, their tout ensemble French. In the fourth niche the statue was veiled — it was not colossal. But then there was a taper ankle, a sandalled foot. De L'Omelette laid his hand upon his heart, closed his eyes, raised them, and caught his Satanic Majesty — in a blush.

But the paintings! — Kupris! Astarte! Astoreth! — a thousand and the same! And Rafaelle has beheld them! Yes, Rafaelle has been here; for did he not paint the ——? and was he not consequently damned? The paintings! — the paintings! O luxury! O love! — who gazing on those forbidden beauties shall have eyes for the dainty devices of the golden frames that lie imbedded and asleep against those swelling walls of eider down?

But the Duc's heart is fainting within him. He is not, however, as you suppose, dizzy with magnificence, nor drunk with the ecstatic breath of those innumerable censers. C'est vrai que de toutes ces choses il a pensé beaucoup — mais! The Duc De L'Omelette is terror-stricken; for through the lurid vista which a single uncurtained window is affording, lo! gleams the most ghastly of all fires!

Le pauvre Duc! He could not help imagining that the glorious, the voluptuous, the never-dying melodies which pervaded that hall, as they passed [page 109:] filtered and transmuted through the alchemy of the enchanted window-panes, were the wailings and the howlings of the hopeless and the damned! And there, too — there — upon that ottoman! — who could he be? — he, the petit-maitre — no, the Deity — who sat as if carved in marble, et qui sourit, with his pale countenance, si amerement.

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Mais il faut agir — that is to say, a Frenchman never faints outright. Besides, his Grace hated a scene {{1840-01:// 1842-02: . }} De L'Omelette is himself again. There were some foils upon a table — some points also. The Duc had studied under B—— {{1840-01: , // 1842-02: ; }} il avait tué ses six hommes. Now, then, il peut {{1840-01: s'echapper // 1842-02: s'échapper }} . He measures two points, and, with a grace inimitable, offers his Majesty the choice. Horreur! his Majesty does not fence!

Mais il joue!{{1840-01: what a happy thought! // 1842-02: how happy a thought! }} But his Grace had always an excellent memory. He had dipped in the "Diable" of the Abbé Gualtier. Therein it is said "que le Diable n'ose pas refuser un jeu d'Ecarté."

But the chances — the chances! True — desperate: but not more desperate than the Duc. Besides, was he not in the secret? — had he not skimmed over Père Le Brun? was he not a member of the Club Vingt-un? "Si je perds," said he, "je serai deux fois perdu, I shall be doubly damned — voila tout! (Here his Grace shrugged his shoulders) Si je gagne je serai libre, — que les cartes soient préparées!

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[page 110:]

His Grace was all care, all attention — his Majesty all confidence. A spectator would have thought of Francis and Charles. His Grace thought of his game. His Majesty did not think — he shuffled. The Duc cut.

The cards are dealt. The trump is turned — it is — it is — the king! No — it was the queen. His Majesty cursed her masculine habiliments. De L'Omelette laid his hand upon his heart.

They play. The Duc counts. The hand is out. His Majesty counts heavily, smiles, and is taking wine. The Duc slips a card.

"C'est à vous à faire" {{1840-01:// 1842-02: , }} said his Majesty, cutting. His Grace bowed, dealt, and arose from the table en presentant le Roi.

His Majesty looked chagrined.

Had Alexander not been Alexander, he would have been Diogenes; and the Duc assured his Majesty in taking leave "que s'il n'etait pas De L'Omelette il n'aurait point d'objection d'etre le Diable."









[[Footnotes]]


[The following footnote appears at the bottom of page 105:]

* Montfleury. The author of the Parnasse Réformé makes him thus express himself in the shades. "The man then who would know of what I died, let him not ask if it were of the fever, the dropsy, or the gout; but let him know that it was of {{1842-02: ' }} The Andromache {{1842-02: ' }} ."













Notes:

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[S:1 - TGAPP, 1842] - Edgar Allan Poe Society of Baltimore - Works - Tales - The Duc De L'Omelette (comparative)