The narrator (unnamed) - The narrator of the story is chiefly an observer. He is the husband of
Ligeia.
Ligeia - The central figure of the story, and the wife of the narrator.
Lady Rowena Trevanion of Tremaine - The second wife of the narrator, married several months after the
death of Ligeia.
etc. - Under development.
Setting:
Location - Under development.
Date - Under development.
Summary:
Under development.
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Reading and Reference Texts:
Reading copy:
“Ligeia” — reading copy
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Historical Texts:
Manuscripts and Authorized Printings:
Text-01 — “Ligeia” — 1838, no original manuscript or fragments are known to exist (but
this version is presumably recorded in Text-02)
Text-02 — “Ligeia” — September 1838 —
American Museum — (Mabbott text A)
Text-03 — “Ligeia” — 1840 — TGA —
(Mabbott text B)
Text-04 — “Ligeia” — 1842 — TGAPP
— (Mabbott text C) (This version is a modified form of Text-03)
Text-05 — “Ligeia” — February 15, 1845 — New
World — (Mabbott text D)
Text-06 — “Ligeia” — September 27, 1845 —
Broadway Journal — (Mabbott text E) (For Griswold’s 1850 reprinting of this text, see the entry below,
under reprints.)
Text-07 — “Ligeia” — 1848 — manuscript revisions in Whitman copy of —
(Mabbott text F) (This is Mabbott’s copy-text) (This version is a slightly modified form of Text-06)
Reprints:
“Ligeia” — August 1, 1848 — Illustrated Monthly Courier (Philadelphia), pp. 17-21
(This reprint is noted in the1992 “The Poe Catalogue” of the 19th Century Bookshop, p. 89. It is not mentioned by
H&C or Mabbott.)
“Ligeia” — 1850 — WORKS — Griswold
reprints Text-06 (Mabbott text G)
“Ligeia” — October 1855 — The Englishwoman’s Domestic Magazine (UK), vol.
III., pp. 265-271 (apparently reprinted from Works)
“Ligeia” — 1867 — Prose Tales of Edgar Allan Poe, first series (New York: W. J.
Widdleton), pp. 453-468 (This collection is extracted from the 1850-1856 edition of Poe’s Works. It was reprinted
several times.)
“Ligeia” — 1874 — Works of Edgar A. Poe, edited by J. H. Ingram, vol. 1, pp.
371-387 (This collection was subsequently reprinted in various forms)
“Ligeia” — Summer 1970 — The Magazine of Horror: the Bizarre, the Frightening, the
Gruesome (published by Health Knowledge), vol. VI., no. 3
Scholarly and Noteworthy Reprints:
“Ligeia” — 1894-1895 — The Works of Edgar Allan Poe, vol. 1: Tales, ed. G. E.
Woodberry and E. C. Stedman, Chicago: Stone and Kimball (1:182-202)
“Ligeia” — 1902 — The Complete Works of Edgar Allan Poe, vol. 2: Tales I, ed. J.
A. Harrison, New York: T. Y. Crowell (2:248-268, and 2:385-391)
“Ligeia” — 1978 — The Collected Works of Edgar Allan Poe, vol. 2: Tales &
Sketches I, ed. T. O. Mabbott, Cambridge: Belknap Press of Harvard University Press (2:305-334)
“Ligeia” — 1984 — Edgar Allan Poe: Poetry and Tales, Patrick F. Quinn (New York:
Library of America), pp. 262-277
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Comparative Texts:
Instream Comparative Texts:
“Ligeia” — comparative text (TGAPP) (This
comparative text shows the changes Poe made in manuscript in his own copy of Tales of the Grotesque and Arabesque in 1842,
the intended new edition being called Phantasy Pieces.)
Plain Text Files for Juxta:
None.
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Associated Material and Special Versions:
Miscellaneous Texts and Related Items:
“Ligeia” — (French translation by Charles Baudelaire)
“Ligeia” — February 3-4, 1855 — Le Pays
“Ligeia” — Part I — February 3, 1855
“Ligeia” — Part II — February 4, 1855
“Ligeia” — 1856 — Histoires extraordinaires, Paris: Michel Lévy
frères
“[Ligeia]” — 1893 — (Russian translation by A. Mereshkovsky)
”Ligeia” — 1960 — a reading by Nelson Olmsted on The Raven: Poems and Tales of Edgar
Allan Poe, issued on the Vanguard label (VRS-9046, rereleased as VSD-32)
“The Tomb of Ligeia” — 1965 — film version staring Vincent Price and Elizabeth Shepherd,
produced and directed by Roger Corman. Robert Towne’s screenplay has very slight traces of Poe’s original story,
retaining little more than the names of Ligeia and Rowena, a few bits of dialogue, and an underlying concept about the strength of
the will to transcend death. Otherwise, the film has a few atmospheric touches, but is mostly unintelligible, and a far cry from
Poe’s intentions. Music is by Kenneth V. Jones. (The 2003 DVD includes commentaries by Corman and Elizabeth Shepherd.)
“Ligeia” — 2009 — Audio book (unabridged), read by Chris
Aruffo
Askew, Melvin, “The Pseudonymic American Hero,” Bucknell Review (March 1962),
10:224-231.
Basler, Roy P., “The Interpretation of ‘Ligeia’,” College English (April 1944),
5:363-372; reprinted in Sex, Symbolism and Psychology, New Brunswick: Rutgers University Press, 1948, pp. 143-159.
Basler, Roy P., “Poe’s Dream Imagery,” Sex, Symbolism and Psychology in Literature, New
Brunswick: Rugers University Press, 1948, pp. 177-200
Basler, Roy P., “Poe’s ‘Ligeia’,” Publications of the Modern Language
Association (December 1962), 77:675. (A response to the article by James Schroeter.)
Brown, Arthur A., ‘A Man Who Dies’: Poe, James, Faulkner and the Narrative Function of Death,
PhD disseration, University of California, Davis, 1995
Cherniavsky, Eva, “Revivification and Utopian Time: Poe versus Stowe,” in The American Face of
Edgar Allan Poe, ed. Shawn Rosenheim and Stephen Rachman, Baltimore: Johns Hopkins Press, 1995, pp. 121-138
Davis, June and Jack L., “An Error in Some Recent Printings of ‘Ligeia’,” Poe
Newsletter (June 1970), 3:21.
Davis, June and Jack L., “Poe’s Ethereal Ligeia,” Bulletin of the Rocky Mountains MLA
(1970), 24:170-176.
Dougherty, Stephen, “ ‘A Decaying City Near the Rhine’: Nation, Race, and Horror in
‘Ligeia’,” Sycamore: A Journal of American Culture, Spring 1997, 1:52
Dumoulié, Camille, “Des signes d‘inquiétante étrangeté,”
Nouvelle revue francaise, 1994, 493:71-79 and 494:102-110
Fisher, Benjamin Franklin IV, “Dickens and Poe: Pickwick and ‘Ligeia’,” Poe
Studies (June 1973), 6:14-16.
Gargano, James W., “Poe’s ‘Ligeia,’ Dream and Destruction,” College English
(February 1962), 23:337-342.
Gargano, James W., “The Question of Poe’s Narrators,” College English (December 1963),
25:177-181; reprinted in The Recognition of Edgar Allan Poe, ed. Eric W. Carlson, Ann Arbor: University of Michigan Press,
1966; and Poe: A Collection of Critical Essays, ed. Robert Regan, New Jersey: Prentice-Hall, 1967.
Garrett, Walter, “The Moral of ‘Ligeia’ Reconsidered,” Poe Newsletter (June
1971), 4:19.
Garrison, Joseph, Jr., “The Irony of ‘Ligeia’,” Emerson Society Quarterly (Fall
1970), 60:13-18.
Griffith, Clark, “Poe’s ‘Ligeia’ and the English Romantics,” University of
Toronto Quarterly (October 1954), 14:8-25.
Halio, Jay L., “The Moral Mr. Poe,” Poe Newsletter (October 1968), 1:23-24.
Hamilton, Clayton, Manual of the Art of Fiction, 1918.
Hayter, Alethea, “Poe,” Opium and Romantic Imagination, Berkeley: University of California
Press, 1968, pp. 132-151.
Heartman, Charles F. and James R. Canny, A Bibliography of First Printings of the Writings of Edgar Allan
Poe, Hattiesburg, MS: The Book Farm, 1943.
Hoffman, Daniel, “I Have Been Faithful to You in My Fashion: The Remarriage of Ligeia’s
Husband,” Southern Review (January 1972), 8:89-106.
Hudson, Ruth, “Poe Recognizes ‘Ligeia’ as His Masterpiece,” in English Studies in
Honor of James Southall Wilson, Charlottesville: University of Virginia, 1951, pp. 35-44.
Koster, Donald, “Poe, Romance and Reality,” American Transcendental Quarterly (Summer 1973),
19:8-13.
Lauber, John, “ ‘Ligeia’ and Its Critics: A Plea for Literalism,” Studies in Short
Fiction (Fall 1966), 4:28-33; excerpt reprinted in Twentieth Century Interpretation of Poe’s Tales, ed. William
L. Howarth, New Jersey:: Prentice-Hall, 1971.
Lubbers, Klaus, “Poe’s ‘The Conqueror Worm’,” American Literature (November
1968), 39:375-379.
Mabbott, Thomas Ollive, ed., The Collected Works of Edgar Allan Poe (Vols 2-3 Tales and Sketches),
Cambridge, Mass.: The Belknap Press of Harvard University Press, 1978.
Morrison, Claudia C., “Poe’s ‘Ligeia’: An Analysis,” Studies in Short
Fiction (Spring 1967), 4:234-245.
Piacention, Edward, “Petrachan Echoes and Petrarchanism in ‘Ligeia’,” Masques,
Mysteries, and Mastodons: A Poe Miscellany, ed. Benjamin F. Fisher, Baltimore: Edgar Allan Poe Society, 2006, pp. 102-114
Porte, Joel, The Romance in America: Studies in Cooper, Poe, Hawthorne, Melville and James, Middletown:
Wesleyan University Press, 1969, pp. 53-94.
Ramakrishna, D., “The Conclusion of Poe’s ‘Ligeia’,” Emerson Society
Quarterly (2nd Quarter 1967), 47:69-70.
Schroeter, James, “A Misreading of Poe’s ‘Ligeia’,” Publications of the Modern
Language Association (September 1961), 76:397-406. (See also a response by Roy R. Basler, and Schroeter’s response to
Basler.)
Schroeter, James, “Poe’s ‘Ligeia’,” Publications of the Modern Language
Association (December 1962), 77:675. (a response to Roy R. Basler.)
Stauffer, Donald B., “Style and meaning in ‘Ligeia’ and ‘William Wilson’,”
Studies in Short Fiction (Summer 1965), 2:316-331.
Swanson, Donald R., “Poe’s ‘The Conqueror Worm’,” Explicator (April 1961),
vol. 19, item 52.
West, Muriel, “Poe’s ‘Ligeia’ and Isaac D‘Israeli,” Comparative
Literature (Winter 1964), 16:19-28.
Wyllie, John Cooke, “A List of the Texts of Poe’s Tales,” Humanistic Studies in Honor of
John Calvin Metcalf, Charlottesville: University of Virginia, 1941, pp. 322-338.
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[S:0 - JAS] - Edgar Allan Poe Society of Baltimore - Works - Tales - Ligeia