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Text: Edgar Allan Poe, "To Miss Louise Olivia Hunter," manuscript, February 14, 1847





To Miss Louise Olivia Hunter.

  Though I turn, I fly not —
      I cannot depart;
  I would try, but try not
      To release my heart.
  And my hopes are dying
  While, on dreams relying,
      I am spelled by art.

  Thus the bright snake coiling
      [[']]Neath the forest tree
  Wins the bird, beguiling,
      To come down and see:
  Like that bird the lover
   Round his fate will hover
  Till the blow is over
          And he sinks — like me.

February 14.









Notes:

Miss Hunter was a youthful admirer of Poe's friend, Frances S. Osgood. In 1845, Poe agreed to judge, along with Henry Tuckerman, literary compositions written by a number of female college students. The winner was Miss Hunter, whose poem Poe read aloud at the commencement services on July 11, 1845. This little poem appears to have been written by Poe for Miss Hunter as part of one of Anne C. Lynch's annual Valentine's Day parties. That nothing truly romantic is intended is evidenced by the poem's rather impersonal tone. If the date of 1847 is correct, the sadness of the final line may partly be ascribed to the death of Poe's wife Virginia on January 30, 1847.

The year portion of the date at the bottom of the manuscript has been disputed and even noted as being in a hand other than Poe's. The date of 1847, however, has generally been accepted as correct, though Joseph Moldenhauer assigns the tentative date of 1846 in  A Descriptive Catalog of Edgar Allan Poe Manuscripts in the Humanities Research Center Library, Austin: The University of Texas at Austin, 1973, p. 8. In this attribution, Moldenhauer follows the article by Syndey R. McLean, "Poeana: A Valentine," Colophon, ns I, no. 2, Autumn 1835, pp. 183-187. The McLean article includes a facsimile of the poem on page 185.

This poem was first collected by Thomas Ollive Mabbott, with a few minor punctuation and indentation modifications, in The Collected Works of Edgar Allan Poe: Volume I - Poems, Cambridge: Belknap Press, 1969, pp. 398-399. The punctuation and indentation of the original manuscript have been retained here, with the punctuation including details noted by Moldenhauer, and the indentation agreeing with that given by Mabbott. (For some reason, Moldenhauer incorrectly states that there is a comma after "Thus" in the first line of the second stanza, and erroneously insists that Mabbott has altered the indentation slightly for lines 6 and 7.) The original is on a single sheet of ornately bordered paper, measuring 7 15/16 inches wide by 9 13/16 inches high. The paper is watermarked "J WHATMAN 1845." It is mostly white, although there is blue in the background of the ornate border, which imitates lace-work. (The McLean facsimile includes the border, but renders it as black and white.) On the original, the date of 1847 appears to have been written in pencil, perhaps by another hand. The McLean facsimile, thus, is somewhat unreliable, by misrepresenting the 1847 as being part of the original ink dating. The manuscript was displayed as part of a special Bicentennial Exhibit at the University of Virginia, Harrison Institute/Small Special Collections Library: "From Out That Shadow: the Life and Legacy of Edgar Allan Poe" (March 7-August 1, 2009).







 
[S:1 - MS, 1847 (fac)] - Edgar Allan Poe Society of Baltimore - Works - Poems - To Miss Louise Olivia Hunter (A)