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BURTON'S
GENTLEMAN'S MAGAZINE,
AND
AMERICAN MONTHLY REVIEW.
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JUNE, 1840.
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SOME ACCOUNT OF
STONEHENGE, THE GIANT'S DANCE,
A DRUIDICAL RUIN IN ENGLAND.
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BY EDGAR A. POE.
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THE pile called Stonehenge is
an assemblage
of upright and prostrate stones on Salisbury plain, England, and is
generally
supposed to be the remains of an ancient Druidical temple. From its
singularity,
and the mystery attending its origin and appropriation, it has excited
more surprise and curiosity than any other relic of antiquity in Great
Britain. It is situated about two miles directly west of Amesbury, and
seven north of Salisbury, in Wiltshire. When viewed at a distance it
appears
but a small and trifling object, for its bulk and character are lost in
the extensive space which surrounds it; and even on a near examination
it fails to fulfil the expectations of the stranger who visits it with
exaggerated prepossessions. To behold this "wonder of Britain " it
should
be viewed with an artist's eye, and contemplated by an intellect stored
with antiquarian and historical knowledge. Stonehenge, notwithstanding
much that has been said to the contrary, is utterly unlike any monument
now remaining in Europe. Many of its stones have been squared or hewn
by
art; and on the top of the outer circle has been raised a continued
series
of squared stones, attacked to the uprights by mortices and tenons, or
regular cavities in the horizontal blocks, with
projecting points on
the perpendicular ones. Nearly all other so-called examples of
Druidical
circles are composed of rough unhewn stones, and are without imposts.
Our engraving
represents the present appearance of
Stonehenge — a confused heap of erect and fallen stones. The original
arrangement
of these, however, may be readily understood; for by the situation and
condition of the yet standing and prostrate members, we are enabled to
judge of the number and site of those which have been removed. The
whole
consisted of two circular, and two other curved rows, or arrangements
of
stones, the forms and positions of which may be easily ascertained.
Horizontal
stones, or imposts, were laid all around, in a continued order, on the
outer circle, and five similar imposts on ten uprights of the third
row.
The whole is surrounded by a ditch and vellum of earth, connected with
which are three other stones. The vellum does not exceed fifteen feet
in
height, and is exterior to the ditch. Through this line of
circumvallation
there appears to have keen one grand entrance from the north-east side,
and this is decidedly marked by two banks and ditches, called The
Avenue.
Approaching Stonehenge in this direction, the attention is first
arrested
by an immense unchiselled stone, called the Friar's Heel, which
is now in a leaning position, and measures about sixteen feet in
height.
Immediately within the vallum is another stone lying on the ground. It
is twenty-one feet two inches long, and a hundred feet from the stone
just
mentioned, and about the same distance from the outside of the
outermost
circle. Each impost of this circle has two mortices in it, to
correspond
with two tenons on the top of each vertical stone. The imposts were so
connected as to form a continued series of architraves. The stones of
the
inner circle are [page 252:] much smaller and more
irregular than those of the outer. Within these two circles are
arranged
two inner rows of stones, one of which constitutes the grandest portion
of Stonehenge. It was formed by five distinct trilithom — a
trilithon
is a large impost upon two uprights. The workmanship here appears to be
better. The interior row of stones which next claims attention
consisted
of nineteen uprights without imposts, and inclined to a pyramidical
form.
The most perfect among them is seven feet and a half high. The Altar
Stone, as it is usually called, lies flat on the ground, and
occupies
the adytum of the temple. The total number of stones of which
Stonehenge
was composed, is, according to Dr. Smith's plan and calculation, one
hundred
and twenty-nine. Some of these were of a compact sand-stone some of
fine-grained
grunstein, interspersed with black hornblende, feldspar, quartz, and
chlorite,
some a siliceous schistus, others an argillaceous schistus, others
horn-stone.
The Altar Stone is gray cos.
In regard to the history of these
extraordinary monuments,
there is little of any definite nature. The earliest account of them
occurs
in Nennius, who lived in the eighth century. He says they were erected
by the Britons to commemorate a massacre which took place at the spot.
The Historical Triads of the Welsh refer their origin to the same
cause.
Camden calls the structure insane, but says nothing about it
entitled
to notice. Modern authors have been profuse in speculation, but no
more.
The general opinion seems to be in favor of a Druidical Temple. The
Rev.
James Ingram supposes it to have been "a heathen burial-place." Borlase
remarks that "the work of Stonehenge must have been that of a great and
powerful nation, not of a limited community of priests; the grandeur of
the design, the distance of the materials, the tediousness with which
all
such massive works are necessarily attended, all show that such designs
were the fruits of peace and religion." Bryant, whose authority we
regard
as superior to any, discredits the Druidical theory altogether.
We may be permitted to conclude this
cursory article
by an extract from the Greek historian, Diodorus Siculus — leaving the
application of the passage to the judgment or the fancy of our readers.
"Among the authors of antiquity
Hecataeus and some
others relate that there is an island in the ocean, opposite to
Celtic
Caul, and not inferior in size to Sicily, lying towards the north,
and inhabited by Hyperborei, who are so called because they live more
remote
from the north wind. The soil is excellent and fertile, and the harvest
is made twice in the same year. Tradition says that Latona was here
born,
and therefore Apollo is worshipped above any other deity. To him is
also
dedicated a remarkable temple of a round form."
The ancient superstitions gave the
giants credit
for the construction of Stonehenge, believing that the massive piles
were
moveable but by giant power — hence, the name of Choir-gaur, which
literally means "The Giant's Dance."
The whole number of stones now
visible, amounts to
one hundred and nine.
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