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GENERAL INDEX
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This Index covers all Volumes of the present edition.
Main Divisions of Poe's writings, as therein arranged, and leading departments of the Editors’ work, are given in Caxton type; Subdivisions, and most titles of Poe's original volumes, in SMALL CAPITALS; names of Newspapers, Magazines, etc., in italics; titles of the respective Tales, Essays, Poems, etc., in lower-case, with quotation-marks.
Numerals designating the respective Volumes are in black-letter; page-numerals, in plain type.
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ADAMS, John Quincy: in “Autography,” 9, 234.
Ainsworth, W. Harrison: 2, 205, et seq.; 7, 274.
“Al Aaraaf”: 10, 106-120; issue of, 1, 14; read in Boston by Poe, 65; quoted, 6, 73; variorum of, 10, 217, 218; Poe's Notes to, 219-223; and see 10, xix, xx.
“AL AARAAF, TAMERLANE, AND MINOR POEMS”: issued, 1, 14; collated, 10, 142.
“Alciphron,” Moore's: 6, 250, 330.
Alcott, A. B.: 7, 38.
Aldrich, James: in the “Literati,” 8, 62; “A Death-Bed,” 6, 136, et seq.
Aldrich, Mary A. S.: 6, 80.
Alexander, Charles: letter of, 1, 33; on Poe, 48.
Allan, John: adopts Poe, 1, 4, 6; refuses to pay his debts, 11; sends him to West Point, 13; marries Miss Patterson, 16; discards Poe, 18; death, ib.; and see 10, 248, 249.
Allan, Mrs.: 1, 5, 12; the second Mrs. Allan, 16, 18.
Allegory: Poe's, and Hawthorne's, 10, xxviii.
Allston, Washington: in “Autography,” 9, 252.
“Alone”: 10, 138; Note on, 237.
“American Drama, The”: 6, 199, 330.
American Letters: — See Literature, American.
American Magazine of Useful and Entertaining Knowledge: 8, 43.
American Monthly Magazine: 6, 71; 7, 19; 8, 129; 9, 213, 249.
American Museum of Literature and the Arts (Baltimore): 1, 28; and see Notes on the Poems, 10, 141, et seq.
American Review: a Whig Journal: 1, 83; 6, 289; 10, xiii; and see Notes on the Poems, 10, 141-237 passim.
American Whig Review: — See ante.
“Anastatic Printing”: 9, 279; Notes on, 9, 317.
“Ancient Mariner, The”: compared with the “Raven” by “Outis,” 6, 144-5; and see 161-172.
“Angel of the Odd, The”: 4, 145.
“Annabel Lee”: 10, 41; variorum of, 186; like a Southern melody, xxxiii; and see xvii, xxvi.
“Annie” —— [[Richmond]]: Mrs., Poe's friendship with, 1, 79-83; Note on, 10, 195; and see the poem “For Annie,” 10, 90.
Annihilation: 7, 299.
Anthon, Charles: in the “Literati,” 8, 34; in “Autography,” 9, 187; and see 1, 28, 54; 4, 286; 6, xx; 7, 354.
“Antigone,” The: 7, 264.
“Antique Poetry”: 7, 308.
“Appalachia”: suggested as a substitute for “America,” 7, 327.
Appleton & Co., D.: publishers, 8, 316.
“Arabia Petræea,” Stephens's: reviewed, 7, 143.
Arcturus: 7, 19, 128; origin of, 8, 59; and C. Mathews, 223.
Aristidean, The: 8, 67.
Arnold, Matthew: 1, 120; 6, xiv.
Art: 7, 226; machinery of, 251.
“ARTHUR GORDON PYM, THE NARRATIVE OF”: 5, 1; its publication, 1, 28; reviewed, 100; “Bibliography,” 5, 355; compared with Morell's “Narrative,” 356-359.
Arthur, Timothy Shay: in “Autography,” 9, 239.
“Article for Blackwood: a Predicament”: 4, 212.
Asselineau, C.: on Baudelaire's translations, 1, 118.
“Assignation, The”: 1, 258; and see 1, 98, 99, 103, 121; 10, xxviii.
Astor, John Jacob: 5, 263-268; and see “Astoria,” 7, 168, et seq.
Athenæum (London): 7, 213.
“Aurora Leigh,” Mrs. Browning's: 10, xix.
“Authors of America, The” (a projected work): see Preface to vol. 6.
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BAGGENSEN, Jens (Emmanuel): 6, 121.
“Ballad” (anonymous): 10, 161.
“Ballads,” Longfellow's: review of, 6, 120.
“Balloon Hoax, The”: 2, 204; and see 1, 54.
Baltimore American: 9, 224.
Bancroft, G.: 7, 20.
Barhyte, Mrs.: and the “Raven”: 10, 156, 157.
Barlow, Joel: his “Columbiad,” 6, 5.
“Barnaby Rudge,” Dickens's: reviewed, 7, 39; and see 6, xii, xviii, 31.
Barrett, Elizabeth Barrett: — See Mrs. E. B. Browning.
Baudelaire, Charles: and Poe, 1, 97, 102, 103; on America, 6, xvii.
Bayly, T. Haynes: 6, 147.
Beauty in Poetry: Poe on, 6, 35.
Bellman, Karl Mikael: 6, 121.
“Bells, The”: 10, 37; account and text of first draft, 1, 79; 10, 183-185; human element in, 10, xxiii; variorum of, 182-186; Gill on, 184; Mrs. Shew on, in Ingram's “ Life of Poe,” 185; a germ of, in Chateaubriand, ib.; and see 6, xiii, 10, xxvi.
Bendann, Daniel: photographer, 10, 262.
Benjamin, Park: 6, 71; his “Infatuation,” 7, 240; co-editor of the “New World,” 8, 20; in “Autography,” 9, 190.
Benjamin, W. Evarts: see Prefaces to vols. 1, 6, and 10.
Bentley's Miscellany: 9, 235.
“Berenice”: 1, 157; and see 95, 96, 100.
Berkeley, George: 1, 93.
Bibliography: — Catalogue of the various texts and editions of Poe's writings, issued during or since his lifetime, to the present date (1895) in the English language, 10, 267-275; in foreign languages, 276-281; and see Notes, 4, 282-288; 5, 355.
Bielfeld, Jacques Frederic, Baron de: definition of poetry, 6, 125.
“Bird of the Dream, The”: and the “Raven,” compared by “Outis,” 6, 145.
Bird, Robert Montgomery: his “Hawks of Hawk-Hollow” and “Sheppard Lee” reviewed, 7, 85; in “Autography,” 9, 210.
Bisco, John: founder of the “Broadway Journal,” 8, 23; and see 1, 62, 65.
“Black Cat, The”: 2, 42; and see 1, 48, 111, 115.
Blackwood's Edinburgh Magazine: 4, 75, 198-224; 6, 298, et seq.; 7, 33.
Bogart, Elizabeth: in the “Literati,” 8, 115.
“Bon-Bon”: 4, 22.
Book-reviewing: in New York, 8, 252, et seq.
Boston Notion: 9, 216.
Boston Quarterly Review: 9, 201.
Botta, Mrs. (Anne Lynch): in the “Literati,” 8, 124; and see 1, 69.
Boucicault, D.: 8, 31.
Brady, M. B.: daguerrotypes Poe, 10, 264, 265.
Brainard, Charles H.: 10, 259.
Brainard, J. G. C.: reviewed, 8, 262; and see 6, 126.
Bransby, Dr. John: of Stoke Newington, 1, 6; portrayed in “William Wilson,” 2, 8.
“Bridal Ballad”: 10, 12; variorum of, 159.
Briggs, Charles F.: Editor “Broadway Journal,” Poe's introduction to, 1, 61; defends Poe to Lowell, 62: later differences with and characterization of Poe, 62-65; his defence of James Aldrich, 6, 138; in the “Literati,” 8, 21.
Bristed, C. A.: 7, 229.
Broadway Journal: Poe's connection with, 1, 61-63, 65; death of, 66; origin of, 8, 23; and see 6, 136, et seq., 324, et seq.) also Notes on the Poems, 10, 141, et seq.
Brooks, James: in “Autography,” 9, 237.
Brooks, Maria, “Maria del Occidente”: 8, 112, 283, 302, 323.
Brooks, N. C.: 1, 15; in “Autography,” 9, 226.
Brother Jonathan: 3, 110; 9, 230.
Brougham, Lord: 7, 237.
Brown, Charles Brockden: 7, 4.
Brown, David Paul: in “Autography,” 9, 243.
“Brown, Thomas Dunn”: — See T. D. English.
Browning, Mrs. Elizabeth Barrett: review of her “A Drama of Exile, and Other Poems,” 6, 288; Poe's acquaintance with, 1, 46, 73; on Poe's scholarship, 104; use of the refrain, 10, xxvi; Poe's dedication of his Poems to, 3; and see 6, xv, 108, 262; 7, 128; 8, 343.
Browning, Robert: 1, 92, 95; quoted, 113, 121.
Brownson, Orestes A.: in “Autography,” 9, 201.
Brun, Frederike Sophie C.: 6, 121.
Bryan, Daniel: letter to, 1, 39.
Bryant, William Cullen: reviewed, 6, 105; quoted, 6, 15; in “Autography,” 9, 196; and see 6, xv, xvi, xxii, 97, 137, 143 160, 193, 245, 324; 8, 3; 10, xvii.
Buckingham, James Silk: 2, 290, et seq.; 7, 329.
Bulwer: review of, 7, 272; Poe's indebtedness to, 4, 296; and see 8, 83.
Burton, William E.: correspondence and connection with Poe, 1, 29, 37; letter to, from Poe, cited, 5, 359; in “Autography, ” 9, 235; and see 1, 38; also Gentleman's Magazine.
Bush, George: in the “Literati,” 8, 7.
“Business Man, The”: 4, 158.
Byron: quoted, 6, 25; his metre analyzed, 80-89; and Mary Chaworth, 7, 291; and see 6, 130, 132, 244.
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“CALEB WILLIAMS,” Godwin's: 6, 31; 7, 64, 304; 10, xxxii.
Calvert, George H.: in “Autography,” 9, 224.
Campbell, Thomas: his “Gertrude of Wyoming,” 8, 233.
Carey and Hart: publishers, 8, 71; 9, 236.
Carey and Lea: publishers, 1, 288
Cary, Henry: in the “Literati,” 8, 69.
Carlyle and Emerson: 9, 259.
“Cask of Amontillado, The:” 1, 274; and see 99.
Casket, The: 1, 56.
Cass, Lewis: in “Autography,” 9, 237.
Century Company, New York: 10, 260.
“Century Magazine”: 10, 260, 263.
Chandler, Joseph R.: in “Autography,” 9, 219.
Channing, William Ellery: plagiarism from, in Campbell's “New Monthly,” 7, 242; in “Autography,” 9, 228; and see 6, xviii; 7, 123; 9, 184.
Channing, William Ellery (Second): reviewed, 8, 207; and see 4, 205; 6, 240, 244.
“Chapter of Suggestions, A”: 8, 325-346; Notes on, 352.
“Charles O’Malley,” Lever's: review of, 7, 65.
Charlottesville, Virginia: 1, 283.
Chaucer: 1, 92.
Chaworth, Mary, and Byron: 7, 291.
Cheever, George B.: in the “Literati,” 8, 33; his “Commonplace Book of American Poetry,” 150.
Child, Lydia Maria: in the “Literati,” 8, 113; and see 6, 143.
Chilton, daguerrotyper: 10, 260.
Chirography: discussed, 7, 342.
Chivers, Thomas Holley: in “Autography,” 9, 240.
“Christabel”: measure of, 6, xiv; influence on Scott, 10, xxii.
Christian Keepsake: 7, 246.
Christian World: 9, 227.
Church Record: 9, 212.
Churton, Edward: 8, 96.
Cist, Lewis J.: in “Autography,” 9, 239.
“City in the Sea, The”: 10, 22; variorum of, 174-176; and see xxiv.
Clark, Lewis Gaylord: in the “Literati,” 8, 122; and see 4, 191.
Clark, Willis Gaylord: 8, 122.
Clarke and Austin, publishers: 8, 110.
Clarke, Joseph H., teacher: 1, 6.
Clarke, Thomas C.: 1, 43-45; on Poe's character, 48.
Clemm, Mrs. Maria, Poe's mother-in-law: Poe boards with, 1, 17; her account of his private marriage, 21, — of the public marriage, 25; removes to New York, 28; her home in Philadelphia, 49; Mayne Reid's account of, 51; Poe's letter to, 52-54; appeals to Willis, 60; at Fordham, 78, 81; farewell to Poe, 83; Willis's account of Mrs. Clemm, 10, 245-247, — her letter to him, 247; and certain portraits of Poe, 261, 263, 265; and see 1, 86; 10, 158; also sonnet “To My Mother,” 10, 94.
Clemm, Virginia: — See Virginia Poe.
Cockton, Henry: “Stanley Thorn,” review of, 7, 97.
Coëtlogon, Jean Baptiste Félicité, Comte de: 6, 121.
Cole, T.: engraver of the Massury-Cornwell portrait, 10, 263, 264.
Coleman, William, and Sarah D.: on a portrait of Poe, 10, 264.
Coleridge: Poe's critical master, 6, xii; the measure of “Christabel,” xiv; on his “Table Talk,” 7, 307; quoted, 8, 14; Cottle's “ Reminiscences,” 334; as a melodist, 10, xxii; discussed in “Letter to Mr. —— ——,” 148, et seq.; and see 1, 60, 110; 6, xvii, 20, 76, 121, 251, 256, 268, 318; 10, xxvi; and Ancient Mariner.
“Coliseum, The”: 10, 26; variorum of, 182; and see 1, 18.
“Colloquy of Monos and Una, The”: 1, 215; 98.
Colton, George H.: in the “Literati,” 8, 9.
Columbia College: 8, 34.
Columbian, The (Hartford): 7, 249.
Columbian Magazine (New York): 7, 238.
Combe, George: and Macaulay, 7, 125.
Commercial Advertiser (Cincinnati): 9, 215.
Commercial Advertiser (New York): 3, 122; and W. L. Stone, 9, 217.
“Conchologist's First Book, The”: published, 1, 29.
Concord Group: 6, xxii.
“Conqueror Worm, The”: 10, 33; variorum of, 182; and see 1, 190; 10, xxviii.
Conrad, Robert Taylor: in “Autography,” 9, 233.
Contemporary Notices of Poe: by Griswold, Willis, and Lowell, 10, 239-256.
“Conversation of Eiros and Charmion, The”: 1, 228; 98.
Cooke, Philip Pendleton: in “Autography,” 9, 234; letter to, 1, 33; and see 69.
Cooper, James Fenimore: “Wyandotté,” reviewed, 7, 3; in “Autography,” 9, 212; and see 1, 38; 6, xxii.
Copyright: — See International Copyright.
Copyright and anastatic printing: 9, 285.
Cornwell, Dr. H. S.: 10, 263.
Courier and Inquirer (New York): 3, 140; attack on Willis, 8, 13.
Coxe, Arthur Cleveland: “Saul, a Mystery, 7, 249; and see 6, 54.
Cranch, Christopher Pearse: in the “Literati,” 8, 71; analysis of his metre, 6, 74-79, 89.
Criticism: Poe's early views of, 10, 144-147.
“Criticism — Public and Private, of”: 8, 3.
Criticism, Literary: Poe's Critical Writings, vols. 6-8.
“Croakers, The”: Croaker & Co., etc., account of, 8, 52; and see 248, and 6, 240.
“Cryptography”: 9, 260; see the “Gold-Bug,” 3, 5-52; Notes on, 9, 316; and see 2, 38.
“Culprit Fay,” Drake's: 6, 252.
Curran, John Philpot: 7, 325.
Curry and Co.: publishers, 8, 223.
Cushing, Caleb: 1, 65.
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DAMMAN, Ben: his etching of Poe, 10, 261.
“Damsel of Darien,” Simms's: review of, 7, 270.
Dana, Richard Henry: in “Autography,” 9, 225; and see 6, 137, 143, 160.
Darley, F. O. C.: his description of Poe, 1, 48.
Dash: Poe's use of the, 7, 233; and see 1, 112.
Daudet, Alphonse: 1, 120.
Davidson, Lucretia Maria and Margaret: review of, 8, 289.
Davidson, Thomas H.: 10, 262.
Dawes, Rufus: review of, 8, 162; in “Autography,” 9, 198.
Defoe, Daniel: review of, 7, 300.
Democratic Review: 1, 60; 6, 131, 132, 211, 289, 302; 7, 102.
De Quincey: influence on Poe's style, 1, 110-112.
“Descent into the Maelström, A”: 2, 237; and see 1, 101.
“Devil in the Belfry, The”: 4, 103.
Dewey, Orville: 1, 69.
Diadem, The: 8, 124.
Dial, The: and Margaret Fuller, 8, 75; and Emerson, 9, 259; and see 2, 305; 7, 38.
Dickens, Charles: review of his “Barnaby Rudge,” 7, 39, —”Old Curiosity Shop,” 278; acquaintance with Poe, 1, 45; “Barnaby Rudge,” 46; letter to Poe, 6, 31; remark to Poe, 10, xxxii; and see 7, 65, 67.
Didacticism: Poe on, 6, 8; Longfellow's, 129.
“Didactics,” Walsh's: review of, 7, 118.
“Diddling considered as one of the Exact Sciences”: 4, 234.
D’Israeli. Isaac: “Curiosities,” 6, 150; style of, 7, 286; and see 1, 297.
Doane, George W.: in “Autography,” 9, 255.
“Doctor, The,” Southey's: review of, 7, 267.
Dodson, Richard W.: imitation of Mrs. Hemans, 7, 246.
Dollar Newspaper: 1, 45.
“Domain of Arnheim, The”: 2, 92; and see Preface to vol. 1; l, 103, 109.
“Doomed City, The”: first version of the “City in the Sea,” 10, 174.
Dow, J. E.: in “Autography,” 9, 230.
Downing, A. J.: 1, 103.
Drake, Joseph Rodman: the “Culprit Fay,” 6, 252; 8, 264; “Croaker & Co.” and Halleck, 8, 52; and see 6, xvi; 8, 268.
“Drama, The American”: 6, 199; and see 7, 302.
“Drama of Exile,” Mrs. Browning's: review of, 6, 288; and see 6, 331; 10, 3.
“Dream, A”: 10, 134; variorum of, 231.
“Dream-Land”: 10, 19; variorum of, 171.
“Dreams”: 10, 125; variorum of, 224; and see 7, 311.
“Dream within a Dream, A”: 10, 130; variorum of, 10, 227-229.
Dublin University Magazine: 8, 128.
“Duc De L’Omelette, The”: 4, 3; and see 1, 107.
Durand, A. B.: his painting, “An Old Man's Recollections,” 8, 38.
Du Solle, John S.: in “Autography,” 9, 221; his account of “The Raven,” 10, 158.
Duval, S. C.: and the lost portrait of Poe, 10, 257.
Duyckinck, Evert A.: in the “Literati,” 8, 58; edits Poe's “Tales” 1, 61; on magazine literature, 7, 102; satirized by Briggs, 8, 22.
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Earle, Pliny: in “Autography,” 9, 232.
EARLY POEMS: 10, 95-138.
Edinburgh Review: 9, 228.
“Edwin Percy Whipple and Other Critics”: 7, 128.
“Eldorado”: 10, 35; variorum of, 182.
“Eleonora”: 1, 203; and see 1, 95, 121.
Elizabethan lyrics: 10, xxiv.
“Elk, The”: 2, 77; and see Preface to vol. 1.
“Ellen Middleton,” Fullerton's: review of, 7, 251.
Ellet, Elizabeth Fries: review of, 8, 282; and see 1, 71.
Ellis, Powhatan: senator of Mississippi, 1, 14.
Embury, Emma C.: in the “Literati,” 8, 91; in “Autography,” 9, 205.
Emerson, R. W.: and Carlyle, 7, 248; in “Autography,” 9, 259; on Poe, 10, xvii; as a lyrist, xviii; and see 6, xvii.
Emporium, The: 7, 249.
English, Thomas Dunn: in the “Literati,” 8, 64; conflict with Poe, 1, 72.
“Enigma, An”: 10, 83; and see 10, 192.
“Essays,” Macaulay's: review of, 7, 123.
“Euganean Hills, Lines Written among the,” Shelley's: 10, xxiv.
“Eulalie”: 10, 36; variorum of, 182; Note on, xxvi.
Eureka, a Prose Poem: 9, 1-138, lecture from, 1, 78; published, ib.; collation of, 9, 293; Poe's addenda to, 293-301; critical analysis of, editorial, 301-302; press comments on Poe's lecture, 312-315; text of, see Preface to vol. 6; and see 1, 60, 93; 6, xi.
Eveleth, George W.: Poe's letter to, on “Eureka,” 1, 37; 9, 293.
Evening Post (New York): 3, 140; 8, 52.
“Evening Star”: 10, 124; Note on, 224.
Everett, Edward: in “Autography,” 9, 210.
Express, The (New York): comment on Poe's lecture, 9, 312; and see 3, 139.
EXTRAVAGANZA AND CAPRICE: 4, 3-277.
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“FABLE for Critics,” Lowell's: review of, 6, 240; and see 6, xxiv, 330.
“Facts in the Case of M. Valdemar, The”: 2, 322; copied in London “Record,” 7, 238; and see 1, 108.
Fairfield, Francis Gerry: account of the “Raven,” 10, 157.
“Fairy-Land”: 10, 136; version of 1831, with other early readings, 10, 234-237.
“Fall of the House of Usher, The”: 1, 131; first published, 1, 31; and see 1, 95, 97, 121; 10, xxviii.
Family Magazine: 8, 316.
“Fancy and Imagination”: 6, xvi.
“Fashionable Novels”: 7, 309.
Fay, Theodore Sedgwick: in “Autography,” 9, 222.
Felton, Cornelius C.: 6, 102, 104.
“Female Poets of America, The” Griswold's: review of, 8, 158; and see 1, 83.
Fields, James T.: 1, 65.
“Flaccus — Thomas Ward”: 8, 179.
Flag of Our Union: 1, 83; and see Notes on the Poems, 10, 141, et seq.
Flaubert: 1, 120.
Fleurs du Mal, Les, Baudelaire's: 1, 117.
“For Annie”: 10, 90; Note on, 195; and see xxvi.
Fordham: Poe's home at, 1, 73, 78.
Fouqué, Friederich, Baron de la Motte: review of, 7, 252; and Dickens, 279; and see 6, 256; 7, 26.
“Four Beasts in One”: 4, 92; and see 1, 106.
Fourier, Charles: 8, 341.
Francis, Charles S.: 9, 246.
Francis, John W.: in the “Literati,” 8, 26; and see 6, xx.
French, Benj. F.: in “Autography,” 9, 221.
Freneau, Philip: 8, 155.
Frost, John: in “Autography,” 9, 241.
Fuller, Sarah Margaret (Mme. Ossoli): in the “Literati,” 8, 75; Poe's portrait of, 6, xxiii; as a critic, 7, 130; and see 1, 72; 6, xxii, 244, et seq.
Fullerton, Lady Georgiana: review of her “Ellen Middleton,” 7, 251.
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GALLAGHER, William Davis: in “Autography,” 9, 225.
Gautier, Théophile: on Poe, 1, 113; on Baudelaire, 118.
Genius: Lowell on, 10, 252; and see 7, 219; 8, 338.
Gentleman's Magazine: Burton's, 1, 29-33; 5, 257, 310, 359; 6, 324; 9, 235; and see Notes on the Poems, 10, 141, et seq.
“George Balcombe,” Tucker's: review of, 7, 303.
Georgian Period, The: 10, xx.
Germanism: Poe's, 1, 96.
“Giaour, The”: Byron's, 10, xx.
Gibbon: discussed, 7, 338-341.
Gifford, William: 6, 177.
Gift, The: 1, 31; 7, 95, 96; 8, 124.
Gill, W. F.: on the “Bells,” 10, 184.
Gillespie, William M.: in the “Literati,” 8, 20.
Gliddon, George R.: 2, 287, et seq.
Godey, Louis Antoine: in “Autography,” 9, 221.
Godey's Lady's Book: its publication of the “Literati,” 1, 66, 69; 8, 349; editorial defence of same, 350; and see 1, 60, 68, 83; 6, 324; 9, 220.
Godwin, William: his “Caleb Williams,” 6, 31; 7, 64, 304; 10, xxxii.
“Gold-Bug, The”: 3, 5; wins prize of $100, 1, 45; and see 1, 48, 101.
Gould, Hannah Flagg: in “Autography,” 9, 204.
Gove, Mary: — See Mrs. Mary S. G. Nichols.
Gowans, William: 1, 28.
Graham, George R.: founds his magazine, 1, 38; Poe's strictures on, 40; in “Autography,” 9, 217; declines “The Raven,” 10, 157.
Graham, James Lorimer:, formerly possessor of Poe's own copies of the “Tales,” the “Raven, and Other Poems,” and “Eureka,” — see Prefaces to vols. 1 and 10, also Notes on the Poems, 10, 141, et seq.
Graham's Magazine: started, 1, 38; in defence of Poe, 48; circulation under Poe, 6, 178; cryptography article, 9, 270; its Poe portrait, 10, 257, 262; and see 1, 47, 56, 66; 6, 181, 186, 220, 323, et seq., also Notes on the Poems, 10, 141-237 passim.
Greeley, Horace: loan to Poe, 1, 65; in “Autography,” 9, 249; and see 8, 341.
Green (Editor “Emporium”): 7, 249.
Griffis, Dr. W. E.: statement as to the “Raven,” 10, 156, 157.
Griswold, Rufus W.: review of his anthologies, 8, 149; his edition of Poe's Works, see Prefaces to vols. 1, 6, and 10, also 10, 258, 263; succeeds Poe on Graham's, 1, 39; attacked by Poe, 45; describes Poe's home in Philadelphia, 50; reconciliation with Poe, 65; Poe's letters to, 83; on Bryant, 6, 110, 111; and the “Longfellow War,” 326, 327; his arrangement of “Marginalia,” Preface to vol. 6; 7, 355; on Elizabeth Oakes Smith, 8, 301; his text of the “Literati,” 349, 352; his text of Poe's poems, 1850, 10, v, 141; his obituary notice of Poe in the “Tribune,” 10, 239-242; bequeathes Poe's portrait to N. Y. Hist. Soc., 259; and see 6, 138.
Griswold, W. M.: see Preface to vol. 1.
Grozelier, artist: 10, 259.
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HALE, Sarah J.: in “Autography,” 9, 209.
Halleck, Fitz-Greene: in the “Literati,” 8, 50; and “Croaker & Co.,” 6, 240; 8, 48; in “Autography,” 9, 197; and see 6, xxi, 137.
Halling, Oscar: his pastel of Poe, 10, 260.
Halpin, E.: engraver, 10, 259.
“Happiest Day, the Happiest Hour, The”: 10, 121; Note on, 10, 224.
Harmony and melody: 10, xxx.
Harper & Brothers, publishers: Wyatt's “Conchology,” 1, 29; and see 1, 27, 28, 54, 59; 5, 355.
Harris, A. B.: his [[her]] description of Virginia Poe, 1, 49, 50.
Harrison, Gabriel: daguerrotypes Poe, 10, 265, — makes a tinted portrait, ib. — his description of the poet, 266.
“Harry Franco”: — See C. F. Briggs.
Hartmann, E. von: 6, xiii.
Hartshorn, S. W., daguerrotyper: 10, 264.
“Haunted Palace, The”: 10, 31; given in the “Fall of the House of Usher,” 1, 143; examined, 10, xxvii; variorum of, 181; and see 1, 28; 10, xvi.
Hawks, Francis L.: in “Autography,” 9, 212; and see 8, 37; 9, 188.
“Hawks of Hawk Hollow, The”: Bird's review of, 7, 85.
Hawthorne, Nathaniel: review of his “Tales,” 7, 19; compared with Poe, 1, 92, 111; non-recognition of, 8, 5; and see 6, xvii, xviii, xx, xxii; 7, 4.
Headley, Joel T.: review of his the “Sacred Mountains,” 7, 136; and see 6, xviii.
Heath, James E.: letter of, 1, 35; in “Autography,” 9, 240.
Heber, Reginald: qualities of, 7, 302.
Hegel: 7, 324.
Henry, Caleb Sprague: in “Autography,” 9, 205; and see 8, 37; 9, 188.
Herald, The (New York): 3, 139.
Herbert, Henry William: in “Autography,” 9, 213.
Herschell, Sir John: and the moon-hoax, 8, 136, et seq.
Hewitt, Mrs. Mary E.: in the “Literati,” 8, 130; letter to Mrs. Whitman, 1, 82.
Hill, George: 7, 247.
Hirst, Henry B.: review of, 8, 237; his sketch of Poe, 1, 44; and see 1, 48; 8, 65; 10, 260.
Historias Extraordinarias: published in Madrid, 1, 119.
Hoffman, Charles Fenno: in the “Literati,” 8, 126; in “Autography, ” 9, 248; and see 6, 71.
Hoffman, David: in “Autography,” 9, 232.
Hoffmann, Ernst T. A.: influence on Poe, 1, 96-98.
Holden, Ezra: in “Autography,” 9, 216.
Holmes, Oliver Wendell: in “Autography,” 9, 255; and see 6, 240; 8, 39.
Home Journal: Note by Willis on “Ulalume,” 10, 187; and see 1, 74; 10, 242.
Homo-Camelopard, The: “Four Beasts in One,” 4, 92.
Hong-Kong Gazette: 8, 42.
Hood, Thomas: review of, 7, 283; “Fair Ines” and the “Bridge of Sighs” quoted, 6, 20-22; the “Death-Bed,” 136, et seq.
“Hop-Frog”: 1, 330; and see 4, 296.
Horne, Richard H.: review of his “Orion,” 6, 262; correspondence with Poe, 1, 46; “Chaucer Modernized,” 6, 72; and see 6, xiii, xv; 8, 135.
Howard, Henry: on imitation, 7, 67.
“How to Write a Blackwood Article”: 4, 198; and see 1, 106.
Hoyt, Ralph: in the “Literati,” 8, 37.
Huddy, William: 10, 258.
Hudson, Henry Norman: his lectures, 7, 294.
Hugo: 7, 59.
“Human Magnetism”: Newnham's, review of, 7, 295.
Humboldt, Alexander von: “Eureka” dedication, 9, 3.
Hunt, Freeman: in the “Literati,” 8, 41; Willis on, 42.
Hunt, Leigh: his definition of poetry, 7, 227; and see 6, 58, 246, 262.
Hunt's Merchants’ Magazine: 8, 25; establishment of, by Freeman Hunt, 41, et seq.
“Hymn”: 10, 28; variorum of, 178.
“Hyperion,” Longfellow's: 1, 111.
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“IMITATION”: first version of “A Dream within a Dream,” 10, 227.
“Imp of the Perverse, The”: 2, 33; supplies key to Poe's temper, 1, 116; and see 4, 281.
“Infatuation”: Benjamin's, 6, 240.
Ingraham, Joseph H.: in “Autography,” 9, 196; and see 7, 96.
Ingram, John H.: his Life of Poe, 10, 158, 261; on the portraits of Poe, ib., — of Elizabeth Poe, 262, 263; his monograph, the “Raven” (1885), 159; his account of the “Bells,” 185; his Edinburgh edition of Poe's “Tales and Poems,” 261; and see Preface to vol. 1.
International Copyright: 7, 213, 217; 9, 286; and Lieber, 9, 209.
“Introduction” (vol. of 1831): first version of “Romance,” 10, 231.
Introductions, Editorial: TO THE TALES, 1, 89-121; TO THE LITERARY CRITICISM, 6, xi-xxvi; TO THE POEMS, 10, xiii-xxxv.
INVOCATIONS: Poe's Lyrical, 10, 75-93.
“Irene”: first version of the “Sleeper,” 10, 163.
Irving, Washington: review of his “Astoria,” 7, 168; notes on “Julius Rodman” and “Astoria,” 5, 359, 360; Irving and Hawthorne compared, 7, 29, 33; in “Autography, ” 9, 190; and see 5, 263-268; 8, 289.
“Isadore,” Pike's: and the “Raven,” 10, 159.
“Island of the Fay, The”: 2, 84; and see 1, 104.
“Israfel”: 10, 29; examined, xxvii; quoted, xxxv; variorum of, 178-181; first version, 179; and see xvi.
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JAMES, G. P. R.: review of, 7, 281; and see 8, 334.
Johnson, A.: Poe's schoolmate, 1, 7.
Johnson, Dr.: 10, 152.
Jones, J. Beauchamp: in “Autography,” 9, 235.
Jones, William A.: as a critic, 7, 128, et seq.
“Joseph Rushbrook,” Marryatt's: review of, 7, 79.
Journal of Commerce: 3, 114.
JOURNAL OF JULIUS RODMAN, THE: 5, 255-351; appears in “Gentleman's Magazine,” 1, 31; compared with “Astoria,” 5, 359; 360; and see Preface to vol. 1.
∞∞∞∞∞∞∞
Keese, John: “Poets of America,” 8, 150.
Kemble, Frances Anne: 2, 80.
Kennedy, John P.: first acquaintance with Poe, 1, 18; letter to Poe, 19; correspondence with, 22-28; in “Autography,” 9, 192; and see 1, 38, 65; 8, 138; 9, 201.
Kettell, Samuel: “Specimens of American Poetry,” 8, 150.
King, Charles: 8, 126.
“King Pest”: 4, 58.
Kirkland, Caroline M.: in the “Literati,” 8, 86.
Kirkland, William: in the “Literati,” 8, 24.
Knickerbocker Magazine: origin of, 8, 129; and see 8, 21, 122.
Knowles, Sheridan: 6, 202.
Körner, Karl Theodor: 6, 121.
“Kubla Khan”: 10, xxii.
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LADIES Companion, Snowden's: 1, 41; 3, 163; 8, 58; 9, 245.
“Lady Geraldine's Courtship,” Mrs. Browning's: and the “Raven,” 10, xxvi, 159.
“Lake, The, to —”: 10, 127; variorum of, 10, 224, 225.
Lake School, The: Poe's view of, 7, 99; 10, 147, et seq.; and see 6, xvii.
“Lalla Rookh,” Moore's: and “Israfel,” 10, 181.
Lamartine: 6, 121.
“Landor's Cottage”: 2, 113; and see 1, 103.
“Landscape Garden, The”: see Preface to vol. 1.
Lang, A.: on Poe's objection to a long poem, 10, xxx.
Langleys: publishers, 8, 24.
Langtree, S. D.: on Longfellow, 6, 132-135; in “Autography,” 9, 233.
Lardner, Dionysius: refuted in “Marginalia,” 7, 343-347.
“Last Page, The”: 7, 258.
Latrobe, J. H. B.: 1, 18.
Lawson, James: in the “Literati,” 8, 85.
Lea & Blanchard, publishers: 1, 31.
Legaré, Hugh Swinton: in “Autography,” 9, 219; and see 6, 247.
“Lenore”: 10, 17; variorum of 166-170; and the “Bridal Ballad, ” 161; and see xvi, xxv.
Leopardi: 1, 97.
Leslie, Eliza: in “Autography,” 9, 205.
“Letter to Mr. —— ——” (Preface to POEMS, 1831): Text of, 10, 144-153; and see 6, xvi.
Lever, Charles J.: review of his “Charles O’Malley,” 7, 65.
Lewis, Mrs. “Estelle” Sarah Anna (“Stella”): review of, 8, 315; subject of “An Enigma,” 10, 83, 192; the Ingram portrait of Poe, 261; and see 1, 83; 6, xxi; 10, 265.
Lewis, S. D.: 10, 265.
Lieber, Francis: in “Autography,” 9, 209.
“Ligeia”: 1, 182; and see 1, 28, 95, 103, 121; 10, xxviii.
“Ligeia! Ligeia!”: quoted by Lowell, 10, 252.
“Lionizing”: 4, 9.
Literary Gazette: origin of, 8, 62.
“Literary Life of Thingum Bob, Esq.”: 4, 171.
“Literary Morality”: 7, 328.
Literary World: and Bayard Taylor's “Rhymes of Travel,” 8, 277.
LITERATI, THE: 8, 3-146; appears in “Godey's,” 1, 66, 69; MSS. of, 71; trouble rising from, 72; discussed, 6, xviii-xx; notes on the original publication of the series, 8, 349.
Literature, American: Nationality in, 7, 213; need of criticism, 329; how formerly retarded, 10, 145; Lowell on, 247.
Little & Brown: publishers, 8, 75.
Locke, Jane Ermina (Mrs. John G. Locke): 1, 78.
Locke, Richard Adams: in the “Literati,” 8, 136; his “Moon-Hoax, ” 2, 195, et seq.; in “Autography,” 9, 258.
Longfellow, Henry Wadsworth: review of his “Ballads,” 6, 120, — and see 6, xv, 323, 324; review of his “Spanish Student,” 219; review of his “Proem” to the “Waif,” 7, 297; the same quoted, 6, 13; Poe's grievances against, 1, 62; 6, 136-198; the same discussed, 6, xviii; letter on the “Good George Campbell,” 325-327; in “Autography,” 9, 199; and see 1, 38, 111; 6, xxii, xxvi, 97, 101, 103, 110, 117, 121, 244, et seq.; 8, 6.
“Longfellow War,” The: narrative of, 6, 324-330.
Long Island Historical Society: its Harrison portrait of Poe, 10, 265.
Long poems: Poe's view of, 10, xxx.
Longstreet, Augustus B.: 6, 247.
Lord, William W.: review of his “Niagara,” 8, 193; and see 6, xviii; 7, 248.
“Loss of Breath”: 4, 75.
“Lothair,” Disraeli's: 1, 104.
Loud, Mrs. M. St. Leon: in “Autography,” 9, 231.
Lowell, James Russell: review of his “A Fable for Critics,” 6, 240; friendship and correspondence with Poe, 1, 59; his sketch of Poe in “Graham's, ” 59, 61; 10, 247-256; introduces Poe to Briggs, 1, 61; letters to, from Briggs, 62, 63; on style, 1, 109; Wilson on, 7, 215; on literary art, 271; in “Autography,” 9, 238; and see 6, xv, xxii, et seq.; 110, 121, 137, 330.
Lunt, George: in “Autography,” 9, 219.
Lynch, Anne C.: — See Mrs. Botta.
Lyrical quality: often elementary in Poe's verse, 10, xxiii.
Lyrics: in Poe's Tales, 10, xxviii.
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MACAULAY, Thomas Babington, Lord: “Essays” reviewed, 7, 123; and American critics, 8, 346; and see 6, 178; 7, 103.
“McFingal,” Trumbull's: 6, 240, 242.
McHenry, James: in “Autography,” 9, 257.
McJilton, J.: in “Autography,” 9, 224.
McKee, Thomas J.: his Poeana, 1, x, — likenesses of the poet, 10, 259, 265.
Mackenzie, Alexander Slidell: in “Autography,” 9, 208.
McMichael, Morton: in “Autography,” 9, 226; and see 10, 157.
Madisonian, The: 1, 64.
“Maelzel's Chess-Player”: 9, 141; Note on, 315; and see 2, 279.
Magazine literature in America: Poe on, 7, 215-217; Duyckinck on, 102.
“Magazine Prison House, Some Secrets of the”: 9, 286; Note on, 317.
Magruder, Allan B.: describes Poe, 1, 15.
“Major Jack Downing”: — See Seba Smith.
Malibran: “Memoirs and Letters,” 7, 266.
“Man of the Crowd, The”: 2, 62; and see 1, 101.
Manor House School, Stoke Newington: 1, 6.
“Man that Was Used Up, The”: 4, 44.
MARGINALIA: 7, 207-349; quoted, 6, xiii; discussed, xx; notes on the first appearance of leading passages in, 7, 354; and see Preface to vol. 6.
Maroncelli, Piero: in the “Literati,” 8, 44.
Marryatt, Frederick: “Joseph Rushbrook” reviewed, 7, 79.
Marvell, Andrew: “Nymph” reviewed, 7, 287.
“Masque of the Red Death, The”: 1, 249; and see 98, 99; 10, xxxv.
Massury, daguerrotyper: 10, 263.
Mathews, Cornelius: review of “Wakondah,” 8, 223; co-editor of “Arcturus,” 59; in “Autography,” 9, 248; and see 6, 244, et seq.
Maturin, C. R.: “Melmoth, the Wanderer,” reviewed, 7, 99.
Maupassant, G. de: 1, 120.
“Mellonta Tauta”: 4, 259.
Mellen, Grenville: in “Autography,” 9, 193.
“Melmoth, the Wanderer,” Maturin's: 7, 99.
Melody: a specific element in Poe's verse, 10, xvi, xxiii, — the music of poetry, xxii, et seq.
Memoir of Poe: Editorial, 1, 3-87, — For detailed references, see Edgar Allan Poe.
“Mesmeric Revelation”: 2, 308; copied in London “Record,” 7, 238; and see 1, 107.
Mesmerism: 7, 295, et seq.
Messenger, Southern Literary: employs Poe, 1, 20, 27; circulation under Poe's editorship, 6, 178; and “Autography,” 9, 183; and see 1, 35, 47, 63, 83; 2, 195; 5, 4-6, 355-359; 6, xi, 182, 190, 323, et seq.; 8, 9; 9, 203, 240, also Notes on the Poems, 10, 141-237 passim.
“Metzengerstein”: 1, 297; and see 97, 98.
Mill, John Stuart: as an a priori reasoner, 7, 304; and see 6, xiv; 10, xxix.
Miller, Dr. James H.: 1, 18.
Milton: Poe on, 10, 146; and see xx.
MINOR CONTEMPORARIES: 8, 147-324; Notes on, 351.
Mirror, Evening: appearance of the “Raven,” 1, 60, 61; and see 6, 136, et seq., 325.
MISCELLANIES: 9, 139-290.
“Miss Walter”: 6, 195.
Mitchell, John Kearsley: in “Autography,” 9, 223.
Moon-Hoax, The: 8, 136; 9, 258.
Moore, Thomas: “Alciphron” reviewed, 6, 250; Note on, 330; “Come, rest in this bosom,” quoted, 6, 20; and see 6, xvi, 12, 129, 281; 7, 22; 10, xx.
Morell, Capt. Benjamin: “Narrative,” compared with “Pym,” 5, 356, et seq.
“Morella”: 1, 174; and see 95.
Morris, George P.: review of, 8, 272; in “Autography,” 9, 223.
Morris, Robert: in “Autography,” 9, 215.
“Mosses from an Old Manse,” Hawthorne's: review of, 7, 19.
Motherwell, William: “Song of the Cavalier,” quoted, 6, 29; “Bonnie George Campbell,” 186, 327.
Mowatt, Anna Cora (Mrs. Ritchie): in the “Literati,” 8, 28; and see 6, xx.
“Mr. Griswold and the Poets”: 8, 149.
“MS. Found in a Bottle”: 2, 222; wins the $100 prize, 1, 18; and see 100.
“Murders in the Rue Morgue, The”: 3, 53; contributed to “Graham's,” 1, 38; and see 1, 100; 4, 296.
Murray, John: 9, 208.
Music: Poe on, 1, 219; 7, 334; 10, xxix, xxx, 153; F. Tennyson on, 10, xxii.
“Mysteries of Paris,” Sue's: 7, 259.
“Mystery of Marie Rogêt, The”: 3, 99; and see 1, 100.
Mystification: 3, 289.
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NEAL, John: failure in construction, 7, 265; and Laughton Osborn, 8, 46; in “Autography,” 9, 211; and see 1, 14; 6, 143, 160; 6, 4, 33.
Neal, Joseph C.: in “Autography,” 9, 206.
Neurosis: the poetic, 10, xxxiii.
“Never Bet the Devil Your Head”: 4, 124.
“Newcomes, The”: quoted, 10, xix.
New Era, The: 8, 145.
Newnham, William: “Human Magnetism,” reviewed, 7, 295.
Newsom, lithographer: 10, 258.
New World, The: 8, 20.
“New York Book, The”: 9, 253.
New Yorker, The: and Greeley, 9, 249; and see 191.
New York Historical Society: and Dr. Francis, 8, 26; and see 10, 259.
New York Review: origin of, 8, 37; 9, 188, 204, 212; and see 1, 28.
Nichols, Mary Sargeant Gove: in the “Literati,” 8, 61; and see 1, 73.
Nichols, Rebecca S. Reed: in “Autography,” 9, 257.
North American Review: 4, 125; 6, 15, 18; 7, 19, 24, 38; 8, 50, 280; 9, 213.
Notes, Editorial: On the number, order, and publication of Poe's Tales, 4, 281; On Poe's Quotations, Book-Titles, and Footnotes, 289; On Poe's Sources, 295; On the “Narrative of Arthur Gordon Pym,” 5, 355-359; On the “Journal of Julius Rodman,” 359-361; On Poe's discussion of Poetry and his criticism of various Poets, 6, 323-331; On the dates of publication of Poe's Reviews of Novels, Essays, and Travels, 7, 353; On portions of “ Marginalia,” 354; On the original publication of the “Literati” series, 8, 349, — of the Reviews of “Minor Contemporaries,” 351, — of “A Chapter of Suggestions,” 352; On “Eureka,” 9, 293-315; On the Miscellanies, 315-317; On the Poems, with a Variorum of the texts, 10, 141-237; On the Portraits in this Edition, 257-266; On the Bibliography of Poe's writings, 267-281.
Novalis (F. von Hardenberg): 1, 93.
NOVELS, ESSAYS, AND TRAVELS: Poe's Reviews of, 7, 1-205; plans and dates of their appearance, 7, 353.
Nyberg, C. Julia: 6, 121.
“Nymph”: Marvell's review of, 7, 287.
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“OBLONG Box, The”: 3, 233.
“Old Curiosity Shop,” Dickens's: review of, 7, 278.
“Originality”: 7, 225.
“Original Characters”: Poe on, 7, 303.
“Orion,” Horne's: review of, 6, 262; and see 1, 45, 63; 6, xiv, 331.
Osborn, Laughton: in the “Literati,” 8, 45; “Vision of Rubeta,” 6, 240-242.
Osgood, Frances Sargent: in the “Literati,” 8, 95; Poe's introduction to, 1, 70; her picture of his home, ib.; correspondence with Poe, 71; her defence of Poe, 72; and “To F——,” 10, 78, 189, —”To F——s S. O——d,” 81, 192, —”A Valentine,” 82; and see 8, 349; 10, 259.
Osgood, S. S.: his painting of Poe, 10, 257, 259.
Ossoli, Mme.: — See S. Margaret Fuller.
Otis, James F.: in “Autography,” 9, 242.
“Outis”: Poe's reply to, 6, 136; letter of, to Willis, 140; and see 7, 242; 10, xxvi.
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“PAEAN, A”: first version of “Lenore,” 10, 167; and see xvi, xxv.
Page, William: 8, 23.
Paine, Thomas: 7, 336.
Painter, William: 10, 261.
Palfrey, John G.: in “Autography,” 9, 213.
Paulding, James K.: “Life of Washington,” 7, 292; in “Autography,” 9, 194; and see 1, 27; 7, 20.
Peabody, William B. O.: in “Autography,” 9, 251.
Pearl, The: 9, 256.
Penn Magazine: first projected, 1, 37; Poe's statement to Bryan, 39, 40.
Pennsylvanian, The: 9, 207.
Perry, Nora: 10, 264.
“Peter Snook”: review of, 7, 102.
Petersons Ladies’ National Magazine: 8, 58.
Petrarch: qualities of, 7, 288.
“Philosophy of Composition, The”: 6, 31; discussed, xiii; reviewed, 10, xxxi, xxxii; and see 6, 323; 10, 159.
“Philosophy of Furniture”: 9, 174; Note on, 315; and see 1, 103.
Pierpont, John: in “Autography,” 9, 200.
Pike, Albert: in “Autography,” 9, 256; his “Isadore,” 10, 159.
“Pinakidia”: Note on, 7, 355; and see Preface to vol. 6.
Pinkney, Edward C.: “A Health,” quoted, 6, 17; and see 143; 7, 247.
Pioneer, The, Lowell's: 1, 41; 6, 323; 8, 93.
“Pit and the Pendulum, The”: 1, 309; and see 99, 106.
Plagiarism: 6, 138, et seq.; 7, 242.
Poe, Amelia: on the Halling pastel, 10, 260, 263.
Poe, David: 1, 3.
Poe, Edgar Allan, MEMOIR OF: 1, 3-87; parentage, 3, 4; adopted by the Allans, 4, et seq.; at school in England, 6; in Richmond, Va., 5-9; devotion to Mrs. Stannard, 9; at the University of Va., 10; enlists in the U. S. Army, 11; his first book, “Tamerlane,” etc., 12; his second book, “Al Aaraaf,” etc., 14; entered at West Point, 15, and discharged, 16; his third book, “Poems,” 16; settles at Baltimore, 17; wins prize by the “MS. Found in a Bottle,” 18; rupture with Mr. Allan, and disinheritance, 18; befriended by Kennedy, 20, et seq.; employed on the “So. Literary Messenger,” 20-28; marriage to Miss Clemm, 21, 25; chided for intemperance, by Mr. White, 24; editorial success, 27; leaves the “Messenger,” and goes to New York, and afterwards, to Philadelphia, 28; publishes “Arthur Gordon Pym,” ib.; becomes a writer for the magazines, etc., ib.; the “Conchologist's First Book,” ib.; connection with Burton and the “Gentleman's Magazine,” 29-34; issues “Tales of the Arabesque and Grotesque,” 31; irregular habits, 33-36, — his own statement of, 37; plans for the “Penn Magazine,” 37-41; connection with Graham and “Graham's Magazine,” 38, et seq., succeeded there by Griswold, 39; seeks a Custom House berth, 41; his project of the “Stylus,” 43, 45, 54-59, 78, 79; lectures in Philadelphia, 45; extended reputation as a critic and tale-writer, 46, 47; personal bearing, 48; continued dissipation, 48, 49, 62, 82, 83; home with Mrs. Clemm in Philadelphia, 49-51; his wife ruptures a blood-vessel, 49; return to New York, 51-54; connection with Willis and the “Mirror,” 60, et seq.; appearance of the “Raven,” 61; his “Tales” and “Poems” published by Wiley and Putnam, 61; lectures in New York on American Poetry, ib.; the “Longfellow War,” 62; connection with Briggs and the “Broadway Journal,” 61, 62, purchase of the latter, 62, its demise, 66; reads “Al Aaraaf” in Boston, 65; contributes “The Literati” to “Godey's,” 66-69; in New York literary society, 69, et seq.; friendship with Mrs. Osgood, 70-72; trouble with Dr. English, 72; poverty and illness, 73; his wife's suffering, ib.; appeal in his behalf by Willis, etc., 74-78; his wife's death, 78; his “Eureka” lecture, and publication of the book by that name, ib.; associations with Mrs. Whitman, 79-83; with “Annie,” Mrs. Lewis, etc., ib.; visit to Providence, and parting with Mrs. Whitman, 82; failing health, and engagement of Griswold as editor of his writings, 83; passes summer in Richmond, 83, et seq.; Miss Talley's reminiscences of, 84-86; engaged to Mrs. Shelton, 86; starts for New York, ib.; relapse, fatal illness, death, and burial in Baltimore, 87.
—— —— AS A TALE-WRITER: 1, 91-121; a romancer, not a novelist, 91-93; contrasted with Hawthorne, 92, 98, 111; not a romanticist, 93; poet even in prose, 93, 94; qualities of his “Romances of Death,” 94-96; his German and other forbears, 96; how far indebted to Ernst Hoffmann, 96-98; Preraphaelite tone, 96; exaltation of music, 97; his prose-poems, “Monos and Una,” etc., 98; his tales of “Old-World Romance,” ib.; “Tales of Conscience,” 99, — of Ratiocination, 100; of Pseudo-science and mock-adventure, 100, 101; versatility of, 101; how affected by his conditions, 102, 120; Baudelaire on, 102, 103; conceptions of Beauty, natural and decorative, in his tales, 102-104; parade of learning, 104-107; his imagination, mental alertness, invention, 107-109; manful pride in his calling, 109; compared with Lowell, ib.; origin and qualities of his prose style, 109-111; defects and mannerisms of, 111-113; purity, 113; want of passion, 113, — of humor, ib.; self-absorbed temperament, 114-116; extreme sensibility, 114; a child of the Perverse, 116; value and limitations of his genius, 116-120; vogue in France, Germany, etc., 117; Baudelaire as his votary and translator, 117, 118; first of the crypto-analytic writers, 119; his romance at the terminus of an Era, 119; pioneer as a writer of the Anglo-American “Short story,” 120; led the revolt against didacticism, ib.; signs of his unused dramatic power, 121. — His methods of work, revision, and publication, 4, 281, et seq.; his own statement of the number of his tales, 286-288; his inaccurate quotations and citations, 289-294; sources of his tales, 295-297; not a plagiarist, ib.; the Moon-Hoax, 8, 138.
—— —— AS A CRITIC: 6, xi-xxvi; a journalist and reviewer, xi; temper and equipment, xii; his abstract essays, on Poetry, etc., xii, et seq.; “Philosophy of Composition,” xiii; an apostle of Taste, ib.; the “Poetic Principle,” xiv; the “Rationale of Verse,” ib.; his longer reviews, xv; “Letter to Mr. —— ——,” xvi; a free lance, xviii; his satire, irony, etc., xviii; the “Literati Papers,” xviii-xx; “Marginalia,” xx; characteriztic defects and merits, xxi, et seq.; his estimates of rising authors, xxii; unable to bear criticism, xxiii; attitude toward Lowell, xxiv; the “Reply to Outis,” xxiv; compared with Lowell, xxv; the chief value of his critical writings, xxvi; story of the “Longfellow War,” 324-330; his appreciation of Longfellow, 324, — sensitiveness as to Longfellow's attitude, 329, — relations with Lowell, 330; a protest against the “Literati” series, 8, 350, — comment by editor of “Godey's,” ib.; early views on criticism, 10, 144-153.
—— —— AS A POET: 10, xiii- xxxv; — chiefly known as such by the people, xiii, xiv; opinion sharply divided as to his poetry, xiv, xvii, et seq.; facts agreed upon, xiv; a melodist, and poet of Sound, xv, xvi, xxii-xxv; his early verse, xv, xvi, xix-xxi; prose-poems, xvi; advance to mature power, ib.; “Tamerlane,” “Al Aaraaf,” “Politian,” xix; solely a “lyrist,” xx; his epithets and words, xxi; reliance on time and accent, xxiii; lack of tone, ib.; influence of Shelley, xxiv; the “Sleeper,” “City in the Sea,” etc., xxiv, xxv; “Lenore,” xxv; persistent use of the repetend and refrain, xxv-xxvii, xxxii; facts shown by the Variorum text of his poems, xxv, xxvii; the “Raven and Other Poems,” ib.; influence of Coleridge, xxvi, — of Miss Barrett, ib.; “Israfel,” xxv, xxvii; “To Helen,”’ xxvii; the “Haunted Palace,” xxvii, xxviii; the “Conqueror Worm,” etc., xxviii; lyrics inserted in his tales, ib.; his theories of poetry summarized, xxix-xxxii; disbelief in long poems, xxx; definition of poetry, xxxi; “Philosophy of Composition,” xxxi; the “Raven,” xxxi, xxxii; the “Bells” and “Annabel Lee,” xxxiii; “Ulalume,” ib.; as a southern melodist, xxxiv; summary of his poetic characteriztics and genius, xxxiv, xxxv. — Early views on poetry, 10, 144-153.
—— —— ADDENDA: For editions of his Works and sources of the present text, — see Prefaces to 1, 6, 10; Constituents of “Marginal,” 7, 354; early MSS. of “Tamerlane,” etc., 10, v; sources of text of his poems, 141; Bibliography, to 1895, 10, 267-281; “Outis” on Poe and plagiarism, 6, 144-147; Hirst's accusations, 8, 238; Poe's connection with the “Broadway Journal,” 8, 23; letter to G. W. Eveleth, with addition to “Eureka,” 9, 293; Boston lecture, 10, xx; the Poe “Memorial Volume,” 10, 262; — and see 5, 4, 5, 6, 252, 355-359.
Poe, Elizabeth (Arnold): mother of the poet, 1, 3, 4; on her portraits, 10, 262; and see “To my Mother,” 10, 94.
Poe, George: 1, 65.
Poe, John Prentiss: 10, 260.
Poe, Rosalie: 1, 4.
Poe, Virginia (Clemm): wife of Edgar Allan Poe, 1, 17; her private marriage, 21; public marriage, 25; Poe's account of her illness, 37; Harris's description of, 49, 50; removal to New York with Poe, 52-54; acquaintance with Mrs. Osgood, 71; her sufferings, 73; and death, 78; on her portrait, 10, 263; and see 10, xxxiv, also “To my Mother,” 94.
Poe, William: 1, 4.
Poe Manuscripts, Early: of “Tamerlane,” etc., 10, v.
Poems: Text of, 10, 1-138; COLLATION of the several editions and complete VARIORUM of, 141-237; the volume of 1831, published, 1, 16, — collated, 10, 143, — prefatory “Letter to Mr. —— ——,” 144-153, — and see xv.
Poet, the, and idealist: 10, xv.
“Poetic Principle, The”: 6, 3; Poe's theory of poetry, xiv; and see xxv, 323; 10, xxix, also Preface, vol. 6.
Poetry: Poe's definitions of, 6, 12; 10, xxxi, 153; its royal prerogative, xiii; Poe's theories of, summarized, xxix; his early ideas concerning, in “Letter to Mr. —— ——,” 144-153; “metaphysical” poetry, 147, et seq.
POETRY AND THE POETS, ON: 6, 1-320.
“Poets of America,” Keese's: 8, 150.
“Poets of America, The” (Poe's lecture): see Preface, vol. 6.
“Poets and Poetry of America,” Griswold's: review of, 8, 149; Poe's letter on, 1, 45; and see 1, 41; 6, 323; 10, 166.
“POLITIAN, SCENES FROM”: 10, 47-74; and the “Spanish Student,” compared by Poe, 6, 188-193; variorum of, 10, 187; and see 10, xix.
Portland Magazine: 8, 58; 9, 244.
Portraits: — Facts concerning the portraits of Poe in this edition, 10, 257-266; Of Elizabeth (Arnold) Poe and Virginia (Clemm) Poe, 262, 263; other portraits of Poe, 257, 258, 264-266.
“Power of Words, The”: 1, 236.
“Powhatan,” Seba Smith's: review of, 8, 242.
Precocity: Lowell on, 10, 249, et seq.
“Predicament, A”: 1, 106.
Prefaces: BY THE EDITORS, see vols. 1, 6, and 10.
“Premature Burial, The”: 3, 213.
Preraphaelitism: in certain Tales, 1, 96.
Prescott, William H.: 7, 20.
Preston, Col. John: 1, 8.
Prose-poems: Poe's, 10, xvi, xxviii.
“PROSE ROMANCES OF EDGAR A. POE, THE,” 1843: 4, 285.
Prosody: discussed in the “Rationale of Verse,” 6, 47; in Lowell's “Fables,” 247-249; and see 131; 7, 228-230; 8, 133.
Punch: 7, 213.
“Purloined Letter, The”: 3, 166; and see 1, 94, 100.
Putnam, George P., publisher: “Eureka,” 1, 78; and see 8, 319, and Wiley and Putnam.
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RACCONTI Incredidibili: 1, 119.
“Rationale of Verse, The”: 6, 47; discussed, xiv, xx; and see 323.
“Raven, The”: 10, 5; Poe's account of its construction, 6, xiii, 33, et seq.; other accounts, 10, 156-159; compared with the “Ancient Mariner” by “Outis,” 6, 144-145, 162-172; quoted, 10, xxvi, 240; analyzed, xxxi, xxxii; variorum of, 154; introductions heralding it, 155; date of, 156; and see 6, 67; 10, xvi, 244, 258.
“RAVEN AND OTHER POEMS, THE,” 1845: Poe's Preface to, 10, 4; collated, 153; and see xv, xxv.
“Raven, The Dying,” Paul Allen's: and the “Raven,” 6, 143, 160, et seq.
Raymond, Henry J.: charges against Willis, 8, 14.
Read, Thomas Buchanan: 7, 245.
Redding & Co., publishers: 8, 193.
Redfield, J. S., publisher: see Preface to vol. 1.
Refrain, the: Poe's use of, 10, xvi, — Mis Barrett's, xxvi.
“Religion”: 7, 315.
Repetend, the: Poe's use of, 10, xvi, — in “Lenore,” etc., xxv, xxvi.
“Reply to ‘Outis,’ A”: 6, 136; discussed, xxiv; Note on this article and the “Longfellow War,” 324-330.
Reynolds, J. N.: projected South Sea expedition, 5, 355; in “Autography,” 9, 243.
“Rhododaphne,” by Thomas Love Peacock: 7, 258.
Rhythm: of music, verse, and prose, 10, xxiii.
“Rhythmical Creation of Beauty, The”: 10, xxxi.
Rice, Sara Sigourney: 10, 262.
“Rime of the Ancient Mariner”: and the repetend, 10, xxvi.
Rogers, Mary Cecilia (“Marie Rogêt”): 3, 99.
“Romance”: 10, 135; variorum of, 10, 231-234.
ROMANCE, OLD WORLD: 1, 247-343.
ROMANCES OF DEATH: 1, 123-246; — Overture, 125; Terrestrial, 129; Celestial, 213; Finale, 242; reviewed, 94-96.
Romanticism: Poe's, 10, xx.
Root, M. A. and A. P.: 10, 261.
Rosenbach, Mr.: on Poe's habits, 1, 48; and see 10, 157.
Rossetti, D. G.: 1, 110.
Royster, Sarah Elmira: — See Mrs. S. E. R. Shelton.
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“SACRED Mountains, The,” Headley's: review of, 7, 136.
Sadness: as the Note of Beauty, 10, xxxi.
Sanderson, John: in “Autography,” 9, 203.
Sargent, Epes: in the “Literati,” 8, 93; in “Autography,” 9, 251.
Sargent's Magazine: 8, 93.
Sartain, John: engraves the Osgood portrait, 10, 258.
Sartain's Union Magazine: 1, 79, 83; 6, 323; 8, 280; and see Notes on the Poems, 10, 141-237.
Saturday Courier (Philadelphia): 8, 238; 9, 216.
Saturday Evening Post (Philadelphia): 7, 52; and see Notes on the Poems, 10, 141, et seq.
Saturday Museum, Clarke's (Philadelphia): 1, 43, 44; 10, 260; and see Notes on the Poems, 141, et seq.
Saturday News: 9, 206.
Saturday Visiter, (Baltimore): its prize poem, 1, 17, 18; and see 4, 282, also Notes on the Poems, 10, 141, et seq.
Schlegel, Augustus W.: 6, 209, 255, 262; 7, 253.
Schlegel, Frederick: 7, 253.
Schopenhauer: 6, xiii.
Science: and the poet, 10, xxi.
Scott, Sir Walter: Bird compared to, 7, 85-87; and G. P. R. James, 282.
Sedgwick, Catherine M.: in the “Literati,” 8, 116; and Lucretia Davidson, 289; in “Autography,” 9, 211.
“Shadow — a Parable”: 1, 125; and see 94.
Shelley: “I arise from dreams of thee,” quoted, 6, 6; as a lyrist, 10, xxiv; and see 1, 60, 102; 6, 121, 253, 256, 267, 317-320.
Shelton, Mrs. Sarah Elmira (Royster): 1, 11, 79; engaged to Poe, 86; and see 10, 259.
“Sheppard Lee,” Bird's: review of, 7, 88.
Shew, Mrs. Maria Louise: and the “Bells,” 10, 185; lines to, 193, 195; and see 1, 73. 78, 79; also “To M. L. S.,” 10, 88.
Signal, The: 9, 191.
Sigourney, Mrs. Lydia H.: in “Autography,” 9, 194.
“Silence — a Fable”: 1, 242; and see 1, 94; 10, 25.
“Silence”: poem, 10, 25; variorum of, 177.
Simms, William Gilmore: letter to Poe, 1, 66-69; review of his the “Wigwam and the Cabin,” 7, 92; review of his “Damsel of Darien,” 270; in “Autography,” 9, 200; and see 6, 247; 7, 4.
“Sinless Child, The,” Mrs. E. Oakes Smith's: review of, 8, 301.
“Sleeper, The”: 10, 14; variorum of, 162-166; and see xxiv.
Slidell, Alexander: — See Mackenzie.
Smith, A. C.: his drawing of Poe, 10, 257, 262.
Smith, Elizabeth Oakes: review of her the “Sinless Child,” 8, 301.
Smith, Richard Penn: in “Autography,” 9, 254.
Smith, Seba: review of his “Powhatan,” 8, 242; in “Autography,” 9, 207; and see 9, 238.
Snodgrass, Dr. J. Evans: Poe's letter to, 1, 34; and see 87.
“Some Words with a Mummy”: 2, 285.
“Song,” (“I saw thee on thy bridal day”): 10, 131; variorum of, 229.
Sound: Poe the poet of, 10, xxii.
SOURCES OF POE’S TALKS, etc.: see Notes, 4, 295-297.
South, The: 10, 158.
Southern Review: 9, 219.
Southey, Robert: review of his the “Doctor,” 7, 267, and see 132.
“Spanish Student, The”: review of, 6, 219; and see xvii.
Sparks, Jared: in “Autography,” 9, 218.
“Spectacles, The”: 3, 256; and see 1, 46.
Spectator (London): 7, 213; 10, 191.
“Sphinx, The”: 3, 249.
Spirit of the Times: 1, 73; 9, 221.
“Spirits of the Dead”: 10, 128; variorum of, 226.
Sprague, Charles S.: in “Autography,” 9, 246; and see 6, 117; 7, 20.
Stanard, Mrs. Jane S.: 1, 9.
Standard, The (New York): 3, 140.
“Stanley Thorne,” Henry Cockton's: review of, 7, 97.
“Stanzas” (“In youth have I known”): 10, 122; Note on, 224.
Stedman, E. Clementine (Mrs. Kinney): in “Autography,” 9, 243.
“Stella”: — See “Estelle” Sarah Anna Lewis.
Stephens, Ann S.: in the “Literati,” 8, 57; in “Autography,” 9, 244.
Stephens, John Lloyd: review of his “Arabia Petraea,” 7, 143.
Stockton, Thomas W.: in “Autography,” 9, 227.
Stoke Newington: Poe at, 1, 105.
Stone, William L.: satirization of, by Osborn, 8, 47; in “Autography,” 9, 217.
Story, Joseph: in “Autography,” 9, 241.
Street, Alfred B.: metre of, analyzed, 6, 94-96; in “Autography,” 9, 253; and see 6, xx.
Stringham, Prof. Irving: 9, 301.
Stuart, F. T.: engraver, 10, 259.
“Stylus, The”: as projected by Poe, 1, 43-45; his plan of, as written to Anthon, 54-59; his letter to Willis, 10, 244; and see 1, 48, 69, 78, 79, 81.
Sue, Eugene: Town's translation of his “Mysteries of Paris,” 7, 259, and see 252.
Sullivan, J. T. S.: 7, 224.
Sun, The (New York): 2, 196, 204; 8, 136.
Swedenborgians: Poe and the, 7, 242.
“System of Doctor Tarr and Professor Fether, The”: 3, 301.
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“TALE OF JERUSALEM, A”: 4, 16.
“Tale of the Ragged Mountains, A”: 1, 283; and see 1, 115.
TALES, Poe's: complete list of, as published, 4, 282-288; (edition of 1845) 4, 286; and see 10, xiii.
TALES OF ADVENTURE AND EXPLORATION: 5, 1-351.
TALES OF CONSCIENCE: 2, 3-74; reviewed, 1, 99, et seq.
TALES OF ILLUSION: 3, 211-325.
TALES OF NATURAL BEAUTY: 2, 75-129; reviewed, 1, 102.
TALES OF PSEUDO-SCIENCE: 2, 131-334.
TALES OF RATIOCINATION: 3, 3-210; reviewed, 1, 109; and see 1, 119.
“TALES OF THE FOLIO CLUB”: 1, 18, 19; 4, 282, 283.
Tales of the Grotesque and Arabesque: vols. 1-4; as published in 1840, 1, 31; reviewed, 91-121; and see Preface to vol. 1; 4, 283, 284; 10, xvi.
“Tamerlane”: 10, 97; first version of, with variorum readings, 196-213; Poe's Notes 10, 213-216; Ed. note on, 216; and see vi, xix, xx, 224, 225, 227, 229.
“TAMERLANE, AND OTHER POEMS,” 1827: Poe's first book, issue of, 1, 12; collated, 10, 141.
Tattler, The, (New York): 9, 230.
Taylor, Bayard: review of, 8, 277; and see 6, xxii.
Tegner: 6, 121.
“Tell-Tale Heart, The”: 2, 55; and see 1, 115; 4, 281.
Tennyson, Alfred, Lord: Poe on, 1, 60; 6, xxiii; his “Locksley Hall” and “Œnone,” 6, xvii; “The Princess” quoted, 27; eulogized in “Marginalia,” 7, 309; on Poe, 10, xvii; clears Poe of charge of plagiarism, 191; and see 6, 108, 121, 182, 267, 302, 318-320; 8, 208; 10, 216, also “Note,” 96.
Tennyson, Frederick: on music, 10, xxii.
“Thiodolf,” Fouqué's: review of, 7, 252.
Thomas, Calvin F. S.: 1, 12.
Thomas, Frederick William: first friendship with Poe, 1, 38, 39; Poe's letters to, 41, 43, 60, 64; in Autography, ” 9, 214.
Thomson, Charles West: in “Autography,” 9, 227.
Thomson, James: author of the “City of Dreadful Night,” 1, 97.
Thoreau: 6, xx.
“Thou Art the Man”: 3, 191.
“Thousand-and-Second Tale of Scheherazade, The”: 2, 260.
“Three Sundays in a Week”: 4, 115.
Ticknor, Benjamin H.: 10, 259.
Ticknor & Co., publishers: 8, 130.
Tieck: on music, 1, 97; and Hawthorne, 7, 21, 22; on sound in verse, 10, xxii; and see 1, 93.
“To ——” (version of “A Dream within a Dream”): 10, 228.
“To ——” (“I heed not that my earthly lot”): 10, 87; variorum of, 193.
“To ——” (“The bowers whereat, in dreams, I see”): 10, 133; variorum of, 230.
“To —— ——”: 10, 89; variorum of, 10, 194.
“To F——”: 10, 78; as “To Mary,” compared with Longfellow's “Seaweed,” 6, 181; variorum of, 10, 189.
“To F——s S. O——d”: 10, 81.
“To Helen” (“Helen, thy beauty is to me”): 10, 77; variorum of, 188; quoted by Lowell, 251; and see xxi.
“To Helen” (“I saw thee once”): 10, 84; addressed to Mrs. Whitman, 1, 79; variorum of, 10, 103.
“To Marie Louise” (Mrs. Shew): MS. variation of “To—— ——,” 10, 194.
“To Mary”: the same as “To F——,” which see.
“To M. L. S——” (Mrs. Shew): 10, 88; variorum of, 194.
“To My Mother”: 10, 94; Note on, 195.
“To One in Paradise”: 10, 79; variorum of, 189-191; attributed to Tennyson, 191; and see 1, 269; 10, xxv, xxviii.
“Tortesa, the Usurer,” Willis's: review of, 6, 204, 330.
“To Science”: 10, 106; variorum of, 216; and see xxi.
“To the River ——”: 10, 132; variorum of, 230.
Town, C. H.: translation of Sue's “Mysteries of Paris,” 7, 259, et seq.
“To Zante”: 10, 24; variorum of, 176.
Traylor, Robert Lee: his daguerrotype of Poe, see Preface to vol. 1; and 10, 259.
Tribune, The (New York): and Greeley, 9, 249; and see 8, 75; 10, xxxiv, 239.
Trumbull, John: “McFingal,” 6, 240, 242.
Tucker, N. Beverly: review of his “George Balcombe,” 7, 303; in “Autography” 9, 202; and see 1, 27.
Tuckerman, Henry T.: in “Autography,” 9, 220.
Turner, William W.: 8, 24.
“Twice-Told Tales,” Hawthorne's: review of, 7, 19.
Tyler, Robert: 1, 41-43.
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“ULALUME”: 10, 431; published in “American Review,” 1, 78; examined, 10, xxxiii; variorum of, 186, 187; introductory note to, by Willis, 187; and see 6, xiii, 121; 10, 244.
“Undine,” Fouqué's: review of, 7, 254.
Union Magazine: in January, 1849, became “Sartain's Union Magazine,” which see.
United States Military Magazine (Philadelphia): 10, 257.
University of Virginia: Poe's life at, 1, 10; and see 1, 105.
“Unparalleled Adventure of One Hans Pfaall, The”: 2, 133; connection with the “moon-hoax,” 8, 138; and see 1, 100, 112.
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“VALENTINE, A”: 10, 82; variorum of, 192.
“Valley Nis, The”: first version of the “Valley of Unrest,” 10, 172.
“Valley of Unrest, The”: 10, 21; variorum of, 171-173; and see xxiv.
Variorum of the Poems: — Covering all readings other than those of the Text as given in this edition, 10, 141-237; disclosures in Variorum, xxv; and see xxvii.
“Vathek,” Beckford's: 1, 99.
Verplanck, Gulian C.: in the “Literati,” 8, 39.
Versification: as improperly defined, 6, 50, et seq.; and see 7, 227; 8, 133; 234, 312, — also Preface to vol. 6.
“Visit of the Dead”: first version of “Spirits of the Dead,” 10, 226.
Volney: a sentiment of, 7, 256.
“Von Kempelen and his Discovery”: 4, 249.
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“WAIF”, “Proem” to Longfellow's: review of, 7, 297; and see 6, 136.
“Wakondah,” Mathews's: review of, 8, 223.
Wallace, William: review of, 8, 280.
Wallace, W. Ross: 10, 265.
Walsh, Robert: review of his “Didactics,” 7, 118; in “Autography,” 9, 195.
Ward, Thomas: review of, 8, 179.
Ware, Henry, Jr.: in “Autography,” 9, 250.
Webber, Charles Wilkins: 7, 19.
Webster, Noah: 8, 346.
Weekly Messenger, Alexander's: 1, 38.
Weiss, Mrs. Susan Archer (Talley): pen-portrait of Poe, 1, 84-86.
Welby, Amelia B.: review of, 8, 283; and see 6, 79.
Weld, Horatio Hastings: in “Autography,” 9, 230.
Western Messenger: and Emerson, 9, 259.
West Point: Poe at, 1, 105.
Wetmore, Prosper M.: in the “Literati,” 8, 90; in “Autography,” 250.
Whig Monthly, American Whig Review, etc.: — See American Review; a Whig Journal.
Whipple, Edwin Percy: review of, 7, 128; and see 1, 65.
White, Eliza: daughter of T. W. White, 10, 192.
White, Thomas W.: founder “Southern Literary Messenger,” 1, 20; experience with Poe and letters of, 21-28, 35; and see 5, 4.
Whitman, Mrs. Sarah Helen: her acquaintance with Poe, 1, 79-83; and various portraits of Poe, 10, 261, 263, 264; and see 1, 9; also poem, “To Helen,” 10, 84.
Whittier, John Greenleaf: in “Autography,” 9, 244; and see 6, xxiii, 141, 157.
Whitty, J. H.: see Preface to vol. 1.
“Why the Little Frenchman Wears his Hand in a Sling”: 4, 137.
“Wigwam and the Cabin, The,” Simms's: review of, 7, 92.
Wilde, Richard Henry: in “Autography,” 9, 236.
Wiley & Putnam, publishers: 1, 61; 8, 49, 58, 88; and see G. P. Putnam.
“William Wilson”: 2, 5; in the “Gift,” 1, 31; reflecting Poe's experiences, 115; and see 1, 112; 7, 36.
Willis, Nathaniel P.: in the “Literati,” 8, 11; employs Poe on “The Mirror,” 1, 60; his pretatory note to the “Raven,” 61; presents Poe to Mrs. Osgood, 70; appeal in the “Home Journal,” 74; ensuing correspondence, 76, 77: quoted, 6, 7, 71; the Longfellow war, 137, et seq., his “Tortesa,” 204, 330; in “Autography,” 9, 197; Note on “Ulalume,” 10, 187; comment, in “Home Journal.” on Griswold's obituary notice of Poe, 242-247; and see 6, xv, xvii; 8, 17.
Wilmer, Lambert A.: review of his “Quacks of Helicon.” 8, 248: on Poe's habits, 1, 48; in “Autography,” 9, 229; his Poe manuscripts, 10, vi, 141; and see 1, 18.
Wilson, John (“Christopher North”): review of, 7, 285; and see 6, 178; 7, 214.
Wirt, William: letter to Poe, 1, 13; and see 7, 119.
Woodberry. G. E.: his Life of Poe, 10, 259.
Wordsworth, William: discussed in “Letter to Mr. —— —— ,” 10, 147, et seq., and see 6, xiv, 262, 318; 7, 99.
“Wyandotte,” Cooper's: review or, 7, 3.
Wyatt, Thomas: connection with Poe. 1, 29.
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Notes:
For this presentation of the index, it was, obviously, not possible to use Caxton font as indicated by the introduction.
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[S:0 - SW94, 1895] - Edgar Allan Poe Society of Baltimore - Works - General Index (Stedman and Woodberry, 1895)