Poe's Craftsmanship in the Short Story, (1935), title page and table of contents


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Title page:

 

 

Poe's Craftsmanship in the Short Story

 

Ruth Leigh Hudson, M. A.

 

A Dissertation Presented
to the
Gradudate Faculty of the
University of Virginia
in Candidacy for the Degree of Doctor of Philosophy

 

1935

 

 



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Table of Contents

Contents

                               Page
[Preface    ii]
Introduction: A Point of View    1
Chapter I: The Genesis of a Short Story Writer  
I. Circumstances Surrounding Poe's Origin and Career as a Writer of Tales    6
II. Poe's Volume Publications of Tales and His Attitude toward Them    51
Chapter II: The Origin of the Horrible in Poe  
I. His Backgrounds in the Gothic Novel    79
II. The Brief Tales of Terror of His Time    107
III. Poe in Relation to Germanism    155
IV. The Modified Germanism of France    197
V. Poe as His Own Sources for Materials of Horror    220
Chapter III: The Origin of the Burlesque in Poe  
I. Early Recognition of Poe as a Satirist    249
II. Burlesques in the Magazines of the Time    257
III. Poe's Excursions into the Literary Burlesque    282
Chapter IV: Grotesquerie and Diablerie in Poe  
I. The Quality of Grotesquerie in the Literature of the Time    346
II. Diablerie as a Special Manifestation of Grotesque    366
III. Poe's Devil Characterizations    412
IV. Satiric Intent of His Devil Stories    422
V. Poe's Later Tales of Humor    446
Chapter V: The Origin  
I. Poe in Relation to the Magazine Movement of His Time    468
II. His Formation of the Doctrine of Effect    488
III. His Critical Utterances on the Methods of Gaining Effect    509
IV. The Earmarks of Poe's Manner in the Short Story    523
Chapter VI: Poe's Revision as Showing the Progress of His Craftsmanship  
I. Periodicity of His Revisions    536
II. Examination of the Changes in Seven Stories    546
III. A Consideration of His Revisions in All of His Tales    592
IV. “Ligeia” as Exemplifying the Essence of Poe    608
V. A Glimpse of Poe's Humanity    624
Conclusion: Avowals    629
[Bibliography    634]

 


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Notes:

Ruth Leigh Hudson was born October 26, 1896 in Biardstown, TX. She died May 30, 1960, Lamar County, TX. She obtained both her B.A. (1922) and M.A. (1926) from the University of Texas. (Her Master's thesis was “Hardy's Novels in Relation to Shakespeare.”) According to records at the University of Virginia, she was the head of the English Department of Paris Junior College (in Paris, TX) 1924-1927, and assistant dean there 1925-1927. (During this time, she managed to accumulate two additional years and two full summer quarters of graduate study at the University of Texas.) In 1927, she originally accepted a Pepper Fellowship at the University of Pennsylvania, which she resigned to instead take a teaching position at the University of Wyoming. There, she completed another year of graduate study. She held a Dupont Research Fellowship at the University of Virginia, 1934-1935. (She may have transferred to the University of Virginia as the most suitable place to provide the research materials and faculty support for her chosen dissertation topic.) In 1948, she published a book on Here is Wyoming, the University and Its State Background. In 1951, she was elected editor for the Rocky Mountain Modern Language Association, having served as an executive director in 1950. As late as May 1959 she was noted as teaching at the University, in a newspaper article stating that she was going to deliver an address to a local club in Billings. Thus, she appears to have still been a professor English at the University of Wyoming until near the time of her death, meaning that she taught there for most of the period 1927-1960. (Again according to University of Virginia records, she was the Assistant to the Dean of Women's Studies at the University of Wyoming, 1931-1934, suggesting that she probably took a one year sabbatical to complete her doctoral efforts in Virginia. The fact that the University of Wyoming appears to have no surviving records of her decades-long career there is a sad testimony to the failure of institutional archives, although there is still a Ruth Hudson Memorial Award for undergraduate students.) It does not appear that she ever married or had children. Once she was teaching in Wyoming, she seems to have focused on topics of more local interest. In addition to the present disseration, she wrote two articles on Poe: “Poe and Disraeli,” American Literature, January 1937, 8:402-416; and “Poe Recognizes ‘Ligeia’ as His Masterpiece,” English Studies in Honor of James Southall Wilson, Richmond: William Byrd Press, 1951, pp. 33-45. The last of these was presumably an acknowledgement of the fact that Wilson had been one of her advisors at the University of Virginia.

Because the original disseration was prepared on a ordinary typewriter, with very little available in regard to formatting options, some liberties have been taken in this electronic presentation for the sake of improved appearance and readability. The use of underlines, for example, has been interpreted as indicating italics.

 

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[S:0 - RLH35, 1935] - Edgar Allan Poe Society of Baltimore - Bookshelf - Poe's Craftsmanship in the Short Story - (1935)