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Edgar Allan Poe — “The Rationale of Verse”






Texts and Variant Texts

Reading copy:
  • “The Rationale of Verse” — reading copy (copy-text is based on Text 00)

Manuscripts and Authorized Printings:
  • Notes Upon English Verse — Spring-Summer 1842 — Manuscript (of which considerable fragments survive) — Text 01  The manuscript, in Poe's typical form of a roll, was first sold to George R. Graham for $32 for Graham's Magazine, but retrieved by Poe about January of 1843 (see Poe's letter to Graham, September-October 1843).
  • The Rationale of Verse — November-December 1846 — Manuscript (of which considerable fragments survive) — Text 03   This manuscript ws not in the form of a roll, as are many of Poe's other literary works, but on separate numbered sheets of blue paper. The essay is first mentioned in Poe's December 15, 1846 letter to G. W. Eveleth, where he notes that he has sold it to George Hooker Colton of the American Review, hoping that it "will be out in the March or April no: of Colton's Am. Magazine, or Review." As Poe wrote to G. W. Eveleth on January 4, 1848, however, Colton was apparently not as eager to print the essay as Poe would have liked, and so Poe bought it back by giving him "Ulalume" in exchange. This must have occured in late 1847 as the poem appears in the December 1847 issue of the magazine. Poe then sold the manuscript to Graham's Magazine, telling Eveleth that it "will appear in Graham after all" (Poe to Eveleth, January 11, 1848), but Graham was also apparently reluctant and Poe reclaimed it from him. By 1848, Poe had rekindled his plans to create his own magazine, now called the Stylus, and may have hoped to use the essay there. That plan failed, and he ended up selling the essay to John R. Thompson, who printed it in two installments in the Southern Literary Messenger, even though Thompson told P. P. Cooke on October 17, 1848: " 'The Rationale of Verse' I took, more as an act of charity than anything else, for though exhibiting great acquaintance with the subject, it is altogether too bizarre, and too technical for the general reader" (see Whitty, Poems, 1911, pp. lxvi-lxvii).

Reprints:
  • "The Rationale of Verse" — 1850 — Works — Griswold reprints Text 04 (or perhaps Text 03 if Thompson sent the manuscript to him, but that seems less likely)
  • “The Rationale of Verse” — 1875 — The Works of Edgar Allan Poe, ed. J. H. Ingram, Edinburgh, Adam and Charles Black (3:219-265)
  • “The Rationale of Verse” — 1895 — The Works of Edgar Allan Poe, vol. 6: Literary Criticism, ed. G. E. Woodberry and E. C. Stedman, Chicago: Stone and Kimball (6:47-104, and 6:323-324)
  • “The Rationale of Verse” — 1902 — The Complete Works of Edgar Allan Poe, ed. J. A. Harrison, New York: T. Y. Crowell (14:209-265)
  • “The Rationale of Verse” — 1984 — Edgar Allan Poe: Essays and Reviews, ed. G. R. Thompson, New York: Library of America (pp. 26-70)

Associated Material and Special versions:
  • "L'Essence du vers" — 1926 — Trois Manifestes, Paris: Simon Kra (French translation by René Lalou)











This essay has been much criticized. Arthur Hobson Quinn, for example, noted: "This essay is a revelation of the manner in which one of the most skilful artists in verse could go astray when he discussed the nature and laws of English versification. He was uanware of the history of English versification, made clear fifty years later by Eduard Sievers, and his discourse upon 'long' and 'short' syllables, which do not occur in English, and fails to recognize the accentual basis of English verse" (A. H. Quinn and Eward H. O'Neill, eds., The Complete Poems and Stories of Edgar Allan Poe, With Selections from His Critical Writings, New York: Alfred A. Knopf, 1946, p. 1087).  Floyd Stovall stated, "The one great weakness in Poe's theory — a weakness that is almost incomprehensible in the light of his practise — is that it tries to force poetry into a Procrustean frame of time limitations borrowed from music. The only significant contribution he makes in this essay to the understanding of poetry, including his own early verse, is his new interpretation of the caesura as a monosyllabic foot, but even that is impaired by the overemphasis on time" (Floyd Stovall, "Mood, Meaning, and Form in Poe's Poetry" in Edgar Poe the Poet: Essays New and Old on the Man and His Work, Charlottesville: University Press of Virginia, 1969, p. 194). Sherwin Cody introduces the essay with, "It is fortunate that a 'science of verse' is not required by a poet to write poetry, any more than a 'science of grammar' is required by you and me to speak our language correctly, for both prosody and grammar have long been in the utmost confusion, every writer contradicting every other, and claiming to be the first and only one to offer a logical system. . . . Poe's essay on the Rationale of Verse has been sneered at by nearly every writer upon this subject; and it must be confessed that it is by no means a complete exposition of the subject. However, we may look on it as the first effective attempt toward developing a real 'science of English Verse.' . . . The two important points that Poe makes are, 1. that verse is based on (musical) time, not accent (intensity), accented syllables being, for the purposes of verse, merely those on which the voice dwells a long time; 2. that a natural reading of verse should correspond to the scanning, or rather the scanning to a natural rhythmical pronunciation. He neglected two points of great importance — or rather, he did not carry his analysis far enough to incude them. They are — 1. he took insufficient account of pauses, or rests, in calculating time in scanning; 2. he took no account of accent (intensity) in marking the culmination of the rhytmical wave-movement in each foot" (Sherwin Cody, Poe — Man, Poet, and Creative Thinker, New York: Boni and Liveright, 1924,  pp. 324-327).









Bibliography:
  • Greenwood, J. Arthur, "Introduction" (and notes), Edgar Allan Poe: The Rationale of Verse, A Preliminary Edition, Princeton, NJ: Wolfhart Book, Co., 1968
  • Heartman, Charles F. and James R. Canny, A Bibliography of First Printings of the Writings of Edgar Allan Poe, Hattiesburg, MS: The Book Farm, 1943.
  • Mabbott, Thomas Ollive, ed., The Collected Works of Edgar Allan Poe (Vol 1 Poems), Cambridge, Mass.: The Belknap Press of Harvard University Press, 1969 (1:392-393)
  • Mabbott, Thomas Ollive, ed., The Collected Works of Edgar Allan Poe (Vols 2-3 Tales and Sketches), Cambridge, Mass.: The Belknap Press of Harvard University Press, 1978.



 
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